Does exactly what it says on the tin. Some of the nonsense contained herein may be very loosely related to The Sisters of Mercy, but I wouldn't bet your PayPal account on it. In keeping with the internet's general theme nothing written here should be taken as Gospel: over three quarters of it is utter gibberish, and most of the forum's denizens haven't spoken to another human being face-to-face for decades. Don't worry your pretty little heads about it. Above all else, remember this: You don't have to stay forever. I will understand.
I'd go for acrylics too but that's just a personal preference. I stubbornly told my art teacher that I couldn't paint until he introduced me to acrylics and inks. I later got used to using other paints as well although I don't think I ever tried emulsion.
Everyone has their favourites so experiment and see what works best for you.
Any more of that and we'll be round your front door with the quick-setting whitewash and the shaved monkey.
biggy wrote:I always found oils to be too much messing about.
Oils have their uses...but not for this technique. To get them thin enough to, um, 'splat' properly, they'd be virtually transparent. And would take forever to dry between passes. And wot a feckin' mess to clean up after...Not to mention, if you're working in a closed garage, you'd probably kill yourself with the turpentine fumes
Who can begin conventional amiability the first thing in the morning?
It is the hour of savage instincts and natural tendencies.
--Elizabeth von Arnim
biggy wrote:I always found oils to be too much messing about.
Acrylics for me 9 times out of 10.
The works tend to have cheap but useable acrylics/ brushes etc.
Same here. Tried oils and liked the results, but had to wait literally months for my masterpiece to dry. I think if you're doing action painting you'll want something more immediate, less faffing about, so I'd say go for acrylics as well.
There's a man with a mullet going mad with a mallet in Millets
Thanks all. I think a visit to the Works is in order.
I made the mistake of trying to paint a grey gloss background before splattering black and white on top. It's bled more than a halal goat.
I could always make out that was the intention.
However, the first attempt came out OK (gloss and emulsion) and dried last night.
I had a stab at doing a bit of action painting for the first time last night.
I used stretched canvas and applied thinned gloss and a bit emulsion.
Good on you you're probably using the best materials. I have lots of stuff from Africa painted with emulsion and gloss on canvas, bits of tarp and it's good stuff.
With some emulsions you'll get anti-fungal additives and 5 years weather protection
People demand freedom of speech to make up for the freedom of thought which they avoid.
I am an oils-only girl myself. If you are keen on the layer-layer-layer thin oil effect, use 50/50 purified turps, artists linseed oil or #3 medium and a dob of colour. I went through a drip-look painting phase many years ago... If you get the colour balance just so it looks beautiful, like staring into water or fire....
I am not much chop with acrylics, sorry, they dry too jolly fast for me. Not enough pondering time!!! Good luck - have a lovely time.