I racked my brain for a few weeks about the 2006 release of FALAA
and the 'A to Z of Sisters Songs' list / the track sheet to 'Wide Receiver'
in the artwork.
Robert Zombie's account of the Dave Allen talk suddenly cleared
everything up:
"At some point Eldritch decided to tip-ex out all the working titles
that were on the tapes so they had to listen to everything and
relabel it all."
First I thought the 'A to Z' list was most likely written down at the
beginning of the Strawberry sessions, just to see what songs the
band had in the pot to begin with. Allen's quote made me think it
could rather be a list written at the end of the sessions, an overview
of the songs recorded.
I looked at the two lists again and I asked myself why the numbers
of the list are encircled (as if it were of real importance) and why
there is sometimes only one song title in one row and sometimes
up to three song titles in another. Then I looked at Eldritch's "Reel
Six" note on the 'Wide Receiver' tracksheet.
Then it began to dawn on me that it's a list of the reels, so it reads
this way:
Reel One: Tones / No Time to Cry
Reel Two: Emma / Walk Away
Reel Three: Poison Door / A rock and a Hard Place
Reel Four: Scottish One A / Scottish One B
Reel Five: Possession / Spit on Your Grave / Evil Come Evil Go
Reel Six: Marianne / Wide Receiver (as marked on track sheet)
Reel Seven: Nine While Nine
Reel Eight: Little Wing
Reel Nine: Andy's Little Wing
Reel Ten: Down to E..... / On the Wire
It makes an awful lot of sense if you think about it:
- both studio versions of 'First and Last and Always' are mentioned
(under its working title 'Scottish One'), both were eventually used
(the first one on the original FALAA pressing, the second one on
the Japanese pressing/CD release).
- both studio versions of 'Some Kind of Stranger' are mentioned
(under its working title 'Little Wing') Allen explained why there
two different versions of the track.
The four unidentified song titles left are 'Tones', 'Spit on Your
Grave', 'Evil Come Evil Go' and 'Down to E.....'.
These must be working titles for
a) the remaining album tracks 'Black Planet' and 'Amphetamine
Logic'.
b) The only other track that was completed with Eldritch vocals
plus backing vocals was 'Garden of Delight' (the vocals are in fact
'down to E' when you listen to them...).
c) That leaves one unidentifiable track, and the title of 'Tones' could
suggest it was an instrumental.
Songs that were recorded after the Strawberry sessions (such as
the 'No Time to Cry' b sides 'Blood Money', 'Bury Me Deep') could
not have been included on the Strawberry song list.
With practically all of these tracks completed this leaves one
question: what the hell did they do at Genetic Studios for nearly
two months?
I rest my case. Will you pleease buy me a beer now?
'First and Last and Always' studio reels
- robertzombie
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Allen did mention Genetic studios but I can't quite remember what he said about it (wishing I'd recorded his story now!)
It was either mastering or vocals I think.
Before I forget. Allen also mentioned the night he played the final mix of Some Kind Of Stranger to Eldritch. Allen set fire to the mixing desk and played the track as loud as possible!
It was either mastering or vocals I think.
Before I forget. Allen also mentioned the night he played the final mix of Some Kind Of Stranger to Eldritch. Allen set fire to the mixing desk and played the track as loud as possible!
Why not? They could have been recorded at Strawberry and then rerecorded (ie the released versions) later.Fodderstompf wrote:Songs that were recorded after the Strawberry sessions (such as the 'No Time to Cry' b sides 'Blood Money', 'Bury Me Deep') could not have been included on the Strawberry song list.
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Surely if the B-sides had been recorded at the Strawberry sessions, they'd have used them (presumably Craig would have recorded a bass part) rather than using the later versions with synth bass?
The fundamental cause of the trouble is that in the modern world the stupid are cocksure while the intelligent are full of doubt.
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—Bertrand Russell
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You think 'Blood Money' has a synth bass? I can only hear it onmarkfiend wrote:Surely if the B-sides had been recorded at the Strawberry sessions, they'd have used them (presumably Craig would have recorded a bass part) rather than using the later versions with synth bass?
'A Rock and a Hard Place' ...
I always thought those 'No Time to Cry' b sides were recorded
after the Oct/Nov 1984 tour during the winter break ... perhaps
back at Strawberry, when Eldritch produced the unreleased
Salvation mini album, because he produced those b sides as
well.
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Well documented elsewhere on HL: Craig threw a hissy-fit and the NTTC B-sides were recorded without him.
The fundamental cause of the trouble is that in the modern world the stupid are cocksure while the intelligent are full of doubt.
—Bertrand Russell
—Bertrand Russell
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"Tones" might not be a song at all, but simply "tones." Back in the analog days, there would be a set of tones at the beginning and end of tapes. This is, incidentally, where Tones on Tail took their name. If you're old enough to remember buying music on cassette, you've probably heard them. I had a lot of tapes with tones at the beginning and the end (for example, the Police's Synchronicity springs to mind in this regard).
--
The most successful tyranny is not the one that uses force to assure uniformity but the one that removes the awareness of other possibilities, that makes it seem inconceivable that other ways are viable, that removes the sense that there is an outside.
The most successful tyranny is not the one that uses force to assure uniformity but the one that removes the awareness of other possibilities, that makes it seem inconceivable that other ways are viable, that removes the sense that there is an outside.
According to Wayne's sleevenotes on the First Chapter reissue, both Wake and Serpent's Kiss also date to these sessions, so there's 2 more candidates.
I always got the impression that GoD was a later song, perhaps from the aborted 2nd LP.
I always got the impression that GoD was a later song, perhaps from the aborted 2nd LP.
http://myheartland.co.uk/viewtopic.php? ... c&start=50markfiend wrote:Well documented elsewhere on HL: Craig threw a hissy-fit and the NTTC B-sides were recorded without him.
Chairman Bux wrote:The bass parts on Blood Money and Bury Me Deep are all synths.Ramone wrote:I shared a room with Adams in Germany after a Mishun show and he 'spilled the beans' on the split and synth bass story. He's not on No Time Cry's b-sides. As for the split..... It all escapes me. Bugger!Dark wrote:Apparently it's synth bass, I can't even hear any bass on them.
If I told them once, I told them a hundred times to put 'Spinal Tap' first and 'Puppet Show' last.
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No, Gary Marx says the Hussey version was recorded at StrawberryI always got the impression that GoD was a later song, perhaps from the aborted 2nd LP.
(along with 'Frail and Torn' on the very same afternoon).
Eldritch had obviously put some work into recording his vocals,
complete with multi-tracked backing vocals. But I doubt that
this song ever was an album contender, rather a potential b side.
As far as I understood Eldritch's later comment "there are a few
bootlegs in existence of me trying to sing Wayne's words, and you
can hear that I'm not convinced by them" (Swedish TV 1993)
the track was not used because the lyrics made Eldritch cringe ...
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http://myheartland.co.uk/viewtopic.php? ... c&start=50markfiend wrote:Well documented elsewhere on HL: Craig threw a hissy-fit and the NTTC B-sides were recorded without him.
Well, I actually do hear a bass on 'Blood Money', and it doesn'tChairman Bux wrote:The bass parts on Blood Money and Bury Me Deep are all synths.Ramone wrote:I shared a room with Adams in Germany after a Mishun show and he 'spilled the beans' on the split and synth bass story. He's not on No Time Cry's b-sides. As for the split..... It all escapes me. Bugger!Dark wrote:Apparently it's synth bass, I can't even hear any bass on them.
sound like a syth at all. It also doesn't sound like Eldritch's bass
playing (as heard on 'Wide Receiver', 'Giving Ground' and 'Torch'),
and it doesn't sound like Adams' playing style either, so it could
be Hussey or Marx stepping in.
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Hm, I doubt that Strawberry's 48 track used cassettes ...sultan2075 wrote:"Tones" might not be a song at all, but simply "tones." Back in the analog days, there would be a set of tones at the beginning and end of tapes. This is, incidentally, where Tones on Tail took their name. If you're old enough to remember buying music on cassette, you've probably heard them. I had a lot of tapes with tones at the beginning and the end (for example, the Police's Synchronicity springs to mind in this regard).
although I know what you mean.
http://en.wikipedia.org/wiki/Master_Reel
Last edited by Fodderstompf on 01 Sep 2010, 15:40, edited 1 time in total.
- AdrenaChris
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I'm pretty sure it's a synth, or at least a sampled note(s) being put through a sequencer(or something), it has the same "machine like" quality as the main bass part to Driven Like the Snow, where it just doesnt sound like its being played by an actual person (imo anyway)Fodderstompf wrote:http://myheartland.co.uk/viewtopic.php? ... c&start=50markfiend wrote:Well documented elsewhere on HL: Craig threw a hissy-fit and the NTTC B-sides were recorded without him.
Well, I actually do hear a bass on 'Blood Money', and it doesn'tChairman Bux wrote:The bass parts on Blood Money and Bury Me Deep are all synths.Ramone wrote: I shared a room with Adams in Germany after a Mishun show and he 'spilled the beans' on the split and synth bass story. He's not on No Time Cry's b-sides. As for the split..... It all escapes me. Bugger!
sound like a syth at all. It also doesn't sound like Eldritch's bass
playing (as heard on 'Wide Receiver', 'Giving Ground' and 'Torch'),
and it doesn't sound like Adams' playing style either, so it could
be Hussey or Marx stepping in.
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Yes, that's what I meant: it sounds very wooden, as ifI'm pretty sure it's a synth, or at least a sampled note(s) being put through a sequencer(or something), it has the same "machine like" quality as the main bass part to Driven Like the Snow, where it just doesnt sound like its being played by an actual person (imo anyway)
it wasn't done by a bass player. But to my ears it sounds
played, not programmed or sampled.
Believe me, if the Chairman says that it's a synth bass, then you can work on the basis that it is a synth bass and that no further discussion is necessary.
If I told them once, I told them a hundred times to put 'Spinal Tap' first and 'Puppet Show' last.
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Aye. The Chairman's posts are definitive. It's probably best not to ask how he knows...
And the tale is corroborated by Ramone.
And the tale is corroborated by Ramone.
The fundamental cause of the trouble is that in the modern world the stupid are cocksure while the intelligent are full of doubt.
—Bertrand Russell
—Bertrand Russell
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Anyway - I'll put all of it into the Wikipediamarkfiend wrote:Aye. The Chairman's posts are definitive. It's probably best not to ask how he knows...
And the tale is corroborated by Ramone.
article on FALAA I'm currently writing ... unfortunately
it's in German, but you could ask Von for a translation!
http://de.wikipedia.org/wiki/First_and_Last_and_Always
It's work in progress ...
- sultan2075
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Oh yeah, that's basically what I meant; they frequently (thought not always) would show up on commercially produced cassettes as well.Fodderstompf wrote:Hm, I doubt that Strawberry's 48 track used cassettes ...sultan2075 wrote:"Tones" might not be a song at all, but simply "tones." Back in the analog days, there would be a set of tones at the beginning and end of tapes. This is, incidentally, where Tones on Tail took their name. If you're old enough to remember buying music on cassette, you've probably heard them. I had a lot of tapes with tones at the beginning and the end (for example, the Police's Synchronicity springs to mind in this regard).
although I know what you mean.
http://en.wikipedia.org/wiki/Master_Reel
--
The most successful tyranny is not the one that uses force to assure uniformity but the one that removes the awareness of other possibilities, that makes it seem inconceivable that other ways are viable, that removes the sense that there is an outside.
The most successful tyranny is not the one that uses force to assure uniformity but the one that removes the awareness of other possibilities, that makes it seem inconceivable that other ways are viable, that removes the sense that there is an outside.
No, I meant that they could easily have recorded versions of those songs, not been happy with them and then recorded different versions at a later date and used those for the b-sides. My point was that some of the unknown Strawberry songs could still have been versions of the b-sides even though they're not the same recordings.markfiend wrote:Surely if the B-sides had been recorded at the Strawberry sessions, they'd have used them (presumably Craig would have recorded a bass part) rather than using the later versions with synth bass?
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Fodderstompf wrote:Anyway - I'll put all of it into the Wikipediamarkfiend wrote:Aye. The Chairman's posts are definitive. It's probably best not to ask how he knows...
And the tale is corroborated by Ramone.
article on FALAA I'm currently writing ... unfortunately
it's in German, but you could ask Von for a translation!
http://de.wikipedia.org/wiki/First_and_Last_and_Always
It's work in progress ...
Cool ... ...
Wie hast du das denn geschafft? Sonst sind die bei der deutschen Wiki ja nicht gerade kooperativ ... ...
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Oh yes, OK, agreed.stufarq wrote:No, I meant that they could easily have recorded versions of those songs, not been happy with them and then recorded different versions at a later date and used those for the b-sides. My point was that some of the unknown Strawberry songs could still have been versions of the b-sides even though they're not the same recordings.
The fundamental cause of the trouble is that in the modern world the stupid are cocksure while the intelligent are full of doubt.
—Bertrand Russell
—Bertrand Russell
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Dunno, I put a lot of other articles on Wiki over the last yearsBeing645 wrote:Fodderstompf wrote:Anyway - I'll put all of it into the Wikipediamarkfiend wrote:Aye. The Chairman's posts are definitive. It's probably best not to ask how he knows...
And the tale is corroborated by Ramone.
article on FALAA I'm currently writing ... unfortunately
it's in German, but you could ask Von for a translation!
http://de.wikipedia.org/wiki/First_and_Last_and_Always
It's work in progress ...
Cool ... ...
How did you manage this? They usually aren't that cooperative at German Wikipedia ... ...
and nobody complained:
http://de.wikipedia.org/wiki/Penetration_%28Band%29
http://de.wikipedia.org/wiki/Cut_the_Crap
http://de.wikipedia.org/wiki/Kleenex_%28Band%29
http://de.wikipedia.org/wiki/Pink_Turns_Blue and some more...
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Makes sense. There was a long gap over the winter period '84/85 ...markfiend wrote:Oh yes, OK, agreed.stufarq wrote:No, I meant that they could easily have recorded versions of those songs, not been happy with them and then recorded different versions at a later date and used those for the b-sides. My point was that some of the unknown Strawberry songs could still have been versions of the b-sides even though they're not the same recordings.
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I can't hear Craig Adams on 'A Rock and a Hard Place' either -mh wrote:Believe me, if the Chairman says that it's a synth bass, then you can work on the basis that it is a synth bass and that no further discussion is necessary.
now, that would have seriously pissed me off!
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when the singer was near dead from failing to deliver Black October in time and the relentless touring - lazy bastardFodderstompf wrote:Makes sense. There was a long gap over the winter period '84/85 ...markfiend wrote:Oh yes, OK, agreed.stufarq wrote:No, I meant that they could easily have recorded versions of those songs, not been happy with them and then recorded different versions at a later date and used those for the b-sides. My point was that some of the unknown Strawberry songs could still have been versions of the b-sides even though they're not the same recordings.
Goths have feelings too