I had much the same reaction to Zoon initially. I thought it was too heavy metal, etc., etc. If you've not heard it since then, it might be worth giving it another chance, though. I find that it teeters right on the edge of death metal, but it retains a great deal of subtlety and refinement that prevents it from falling over the edge. It is heavier than classic FotN, but I think it's got all the subtlety of The Nephilim or Elyzium. In fact, I think it's almost like the flip-side of the Elyzium coin.DeWinter wrote:I'll put my hand up and say I like "Elyzium" better than anything else done by Carl, Andy or Wayne. I think at the time of "Elyzium" we were being subjected to Von Bon Jovi and "Visionary When Wet/Slippery Thing"!
Maybe it's the brilliant production (which makes you wonder what "Mourning Sun" could have been with a decent producer) and "Sumerland" which proudly claims the DeWinter position of "Best Song Ever".
As for "Zoon"..just not my type of music, so I guess I'm not the best judge. Friends of mine who liked Pantera loved it, so they got my copy. Judging by the quite remarkable airy-fairy floatiness of Rubicon's first offering I suppose McCoy left the band because he wanted to do something "harder".
I don't think anything released under the FotN name after the break-up has been particularly noteworthy, though. Zoon, I think, lives up to their legacy.