"The Reptile House" is Sisters finest moment,and it
warms my heart to see that there`s some others that thinks alike..For a while I thought that the majority prefered the incarnation from `84-`86 a.k.a "the merry folksmen with coats and silly hats"
The Reptile House EP vs FALAA
- bismarck
- Utterly Bastard Groovy Amphetamine Filth
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Exactly. Exactly.First and Last and Always is THE BEST ALBUM EVER! Sorry for being so blunt, but this records literally changed my life.
Floodland was too much keyboard for me.
Vision Thing ... There was only one song to stand the test of time: Ribbons
Kutan
The great questions of the day will not be
resolved by speeches and majority decisions,
but by iron and blood.
- Otto von Bismarck
resolved by speeches and majority decisions,
but by iron and blood.
- Otto von Bismarck
I'd have to say that my first play of the 12" vinyl that was the original Temple of Love had a pretty profound effect as well. I have patchy recollection of my teen years, but I do remember moments like that quite clearly.TragicSerenades wrote:"The Reptile House" is Sisters finest moment,and it
warms my heart to see that there`s some others that thinks alike..For a while I thought that the majority prefered the incarnation from `84-`86 a.k.a "the merry folksmen with coats and silly hats"
- nodubmanshouts
- Utterly Bastard Groovy Amphetamine Filth
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Always found The Reptile House to be the lesser of all post-DD, pre-VT output, to be honest. Always a bit miffed that Burn didn't even come close to the promise of the live versions with, proper lyrics and the like.
For years, the poor CD mix of FLAA lowered my opinion of that fine album, but the re-release fixed that. However, I think most of the first-side could have been recorded a lot better... from Marian to SKOS, its all good.
For me, it doesn't get much better than a copy of Temple of Love 12", and a hot bootleg from 84/85.
For years, the poor CD mix of FLAA lowered my opinion of that fine album, but the re-release fixed that. However, I think most of the first-side could have been recorded a lot better... from Marian to SKOS, its all good.
For me, it doesn't get much better than a copy of Temple of Love 12", and a hot bootleg from 84/85.
- Kurbythegreat
- Amphetamine Filth
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Hands down , The Reptile House is the strongest work.
Always was, always will be.
Always was, always will be.
"We left you sleeping. Now we are sleeping with you. Don't wake up."
- sultan2075
- Overbomber
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Yeah, I basically agree (especially about those 84/85 era bootlegs); but I'd add the late 90's Pearson/Varjak/Starling era as well. Sometimes--like the 2-night stand at San Francisco's Maritime Hall--when that incarnation was on, it was incredible. It is such a shame that they never released anything.nodubmanshouts wrote:
For me, it doesn't get much better than a copy of Temple of Love 12", and a hot bootleg from 84/85.
The Reptile House is very good, but I think the songs work much better live, at ear-bleed volume. It's a hard thing to capture all that tension on vinyl.
--
The most successful tyranny is not the one that uses force to assure uniformity but the one that removes the awareness of other possibilities, that makes it seem inconceivable that other ways are viable, that removes the sense that there is an outside.
The most successful tyranny is not the one that uses force to assure uniformity but the one that removes the awareness of other possibilities, that makes it seem inconceivable that other ways are viable, that removes the sense that there is an outside.
FALAA is the best in my opinion, its their definitive "goth" album...dark as f**k, they never sounded the same way; in Floodland things got too New Wav-ish for my taste (maybe Mr E wanted to distance himself and the band from the "gothic" label?), for example Dominion I mean the voices and arrangements are too over the top, and VT was just a kind of "desperate" try to reach the American audience, for example Something Fast is just an Arena Rock ballad, thats 100% American style, but in the other hand the lyrics are brilliant on almost all songs, and some "darkness" is still evident on the record with Ribbons (I love the paranoic fell of the track) and the melacholy of WYDSM...about the 81-84 stuff everything is just genious, fresh and the most important; you can dance to every track, my heart is with the 1985 era, but is closely followed by the original incarnation