I was asked this question about half an hour ago.
My take.
Given that it's on VT:
It could be the narrative of a soldier who has been killed in a missile/rpg attack or by "friendly fire" on his way to the afterlife and remembering his sweetheart who, if you take some of the lyrics literally, had lovers all over the place while the soldier was serving overseas, that was "wearing her ribbons" (the yellow ribbon being supposedly worn by wives/ partners waiting to welcome home their soldier sweethearts.)
My guess is the "teachings" are things he's told her before his deployment (that he prolly didn't really understand either).
The flowers are likely on the razor wire at a military post or installation and the red is either blood or for a "scarlet woman"
As for "walk on air", those lines are sung with an almost desperate tone. Almost as if he's not entirely sure he's dead or dreaming & pleading for her to join him floating toward the sky.
Romantic huh?
Ribbons
I always thought that this song was sung from the perspective of a serial killer (Peter Sutcliffe??)
Flowers on the razor wire / Ribbons - torn flesh
I tried to tell her about Marx and Engels, God and Angels - Peter Sutcliffe was trying to "save" Prostitutes
Her lovers queued up in the hallway - reference to her being a prostitute
Incoming - the knife (murder weapon?) going into her flesh
Her eyes were cobalt red - blood shot
Her lips were cobalt blue - lips are blue when you're dead
We are few and far between - there's not many serial killers
Overall story of the song - he's luring another victim in to die... Incoming is her death...
Flowers on the razor wire / Ribbons - torn flesh
I tried to tell her about Marx and Engels, God and Angels - Peter Sutcliffe was trying to "save" Prostitutes
Her lovers queued up in the hallway - reference to her being a prostitute
Incoming - the knife (murder weapon?) going into her flesh
Her eyes were cobalt red - blood shot
Her lips were cobalt blue - lips are blue when you're dead
We are few and far between - there's not many serial killers
Overall story of the song - he's luring another victim in to die... Incoming is her death...
Curious take
Welcome to the forum
Welcome to the forum
- markfiend
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Hello and welcome!
Your first post is that... should we be worried?
Your first post is that... should we be worried?
The fundamental cause of the trouble is that in the modern world the stupid are cocksure while the intelligent are full of doubt.
—Bertrand Russell
—Bertrand Russell
Let's all hope for consensual violence...
It occurred to me recently that it might not (just) be about a woman, but rather about a bomb. Maybe "the" bomb? The 1959 wiki links cobalt to a proposed cobalt bomb.
But that might just be because I don't want my more or less favourite Sisters song to be yet another treatise on murdering women.
(I just hope the hallway in this song is a different kind than the one in Flood II. Because... ew?)
Edit: are there any military traditions of putting ribbons on, say, warships or the like? What requires cobalt blue and makes a loud noise?
Edit 2: Ooooh, look what I found, another possible drugs/no drugs link: http://en.wikipedia.org/wiki/Red_Ribbon_Week
Edit 3: because I couldn't just stop googling things to try to unravel the mystery: cobalt chloride is blue when dry and purplish-red when wet, and therefore used as a humidity indicator. It's harmful to living organisms.
Then, if the song is in any way connected to the War On Drugs: cobalt is used to test for cocaine, also because of its colour changing properties.
Then there are some drugs which turn users' mouths blue (I only got so far googling it because TSoM lyrics have already made me look up so many things that have probably put me on several watchlists), and I presume drug abuse will give people bloodshot eyes.
It occurred to me recently that it might not (just) be about a woman, but rather about a bomb. Maybe "the" bomb? The 1959 wiki links cobalt to a proposed cobalt bomb.
But that might just be because I don't want my more or less favourite Sisters song to be yet another treatise on murdering women.
(I just hope the hallway in this song is a different kind than the one in Flood II. Because... ew?)
Edit: are there any military traditions of putting ribbons on, say, warships or the like? What requires cobalt blue and makes a loud noise?
Edit 2: Ooooh, look what I found, another possible drugs/no drugs link: http://en.wikipedia.org/wiki/Red_Ribbon_Week
Edit 3: because I couldn't just stop googling things to try to unravel the mystery: cobalt chloride is blue when dry and purplish-red when wet, and therefore used as a humidity indicator. It's harmful to living organisms.
Then, if the song is in any way connected to the War On Drugs: cobalt is used to test for cocaine, also because of its colour changing properties.
Then there are some drugs which turn users' mouths blue (I only got so far googling it because TSoM lyrics have already made me look up so many things that have probably put me on several watchlists), and I presume drug abuse will give people bloodshot eyes.
“Getting an education was a bit like a communicable sexual disease. It made you unsuitable for a lot of jobs and then you had the urge to pass it on.�
- markfiend
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Me likeySoopra wrote:probablymarkfiend wrote:Hello and welcome!
Your first post is that... should we be worried?
The fundamental cause of the trouble is that in the modern world the stupid are cocksure while the intelligent are full of doubt.
—Bertrand Russell
—Bertrand Russell
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If the murder angle wasn't clear enough;
I don't think that excludes the cobalt stuff from alluding to the bomb, or many splintered thing from alluding to Chinese Communists, tho.http://www.vamp.org/Gothic/Text/sisters-interview.html
"I tried to tell her about Marx and Engels, God and angels/I don't really know what for/But she looked good in ribbons." - Sisters Of Mercy, "Ribbons" Read that *sliced* to ribbons. Cruel and absurd. Must be Andrew Eldritch.
"I love that line. Great line, isn't it?" The tiny man smiles, dead-tired skin streched parchmentlike around his mouth, eyes that look a million years old nervously darting about the room. Another drag off an endless procession of cigarettes, and he'll probably collapse into his own emaciated flesh.
"It's so rational, but undeniably psychotic," he furthers. "I can see a better-read Norman Bates thinking to himself before he flings open the shower curtain: *I've tried, I've really tried, but she'll just never get the point.* And then everything turns red. Delicious, utterly delicious. Who else could sing that and make it work?"
Dressed in black and steeped in an even darker humor, Andrew Eldritch, the brains, guts and soul behind eminent gothsters Sisters Of Mercy, really might pepper his bedroom talk with the Marxist approach to Bach or a heady discussion of Vienesse fin de diecle literature. A true eccentric.
"I don't think you can separate violence and intelligence from sensuality," he declares. "They're all wrapped up in the same whole. That, to me, is a very 20th-century notion, a very post-modernist attitude. For me, at least, sex has got to have an element of violence in there to be truly great."
If vampires played music, it would sound like this
- Being645
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Oh hell, thanks for the reminder ... above all it reminds me of the fact that to-date humanity has obviously no idea what to do with themselves apart from squeezing each others blood though money and love. And who would ever step beyond? No matter, they won't get far.centurionofprix wrote:If the murder angle wasn't clear enough;I don't think that excludes the cobalt stuff from alluding to the bomb, or many splintered thing from alluding to Chinese Communists, tho.http://www.vamp.org/Gothic/Text/sisters-interview.html
"I tried to tell her about Marx and Engels, God and angels/I don't really know what for/But she looked good in ribbons." - Sisters Of Mercy, "Ribbons" Read that *sliced* to ribbons. Cruel and absurd. Must be Andrew Eldritch.
"I love that line. Great line, isn't it?" The tiny man smiles, dead-tired skin streched parchmentlike around his mouth, eyes that look a million years old nervously darting about the room. Another drag off an endless procession of cigarettes, and he'll probably collapse into his own emaciated flesh.
"It's so rational, but undeniably psychotic," he furthers. "I can see a better-read Norman Bates thinking to himself before he flings open the shower curtain: *I've tried, I've really tried, but she'll just never get the point.* And then everything turns red. Delicious, utterly delicious. Who else could sing that and make it work?"
Dressed in black and steeped in an even darker humor, Andrew Eldritch, the brains, guts and soul behind eminent gothsters Sisters Of Mercy, really might pepper his bedroom talk with the Marxist approach to Bach or a heady discussion of Vienesse fin de diecle literature. A true eccentric.
"I don't think you can separate violence and intelligence from sensuality," he declares. "They're all wrapped up in the same whole. That, to me, is a very 20th-century notion, a very post-modernist attitude. For me, at least, sex has got to have an element of violence in there to be truly great."
Just an S&M thing or something more disturbing?Von wrote: "I don't think you can separate violence and intelligence from sensuality," he declares. "They're all wrapped up in the same whole. That, to me, is a very 20th-century notion, a very post-modernist attitude. For me, at least, sex has got to have an element of violence in there to be truly great."
Any more of that and we'll be round your front door with the quick-setting whitewash and the shaved monkey.
We shall never know... (unless, of course, someone who's had sex with him were to disclose anything, which would probably be considered pretty rude.)stufarq wrote:Just an S&M thing or something more disturbing?Von wrote: "I don't think you can separate violence and intelligence from sensuality," he declares. "They're all wrapped up in the same whole. That, to me, is a very 20th-century notion, a very post-modernist attitude. For me, at least, sex has got to have an element of violence in there to be truly great."
The actual reason for my post, though: I'm SUCH a numpty. Red ribbon = AIDS. Another possible point of reference...
(I am seriously amazed that I didn't make that connection any sooner. After all, I reside in the city that holds the Life Ball every year /faceplam)
“Getting an education was a bit like a communicable sexual disease. It made you unsuitable for a lot of jobs and then you had the urge to pass it on.�
VT was released in 1990. AIDS red ribbon wasn't created till 1991.rien wrote:We shall never know... (unless, of course, someone who's had sex with him were to disclose anything, which would probably be considered pretty rude.)stufarq wrote:Just an S&M thing or something more disturbing?Von wrote: "I don't think you can separate violence and intelligence from sensuality," he declares. "They're all wrapped up in the same whole. That, to me, is a very 20th-century notion, a very post-modernist attitude. For me, at least, sex has got to have an element of violence in there to be truly great."
The actual reason for my post, though: I'm SUCH a numpty. Red ribbon = AIDS. Another possible point of reference...
(I am seriously amazed that I didn't make that connection any sooner. After all, I reside in the city that holds the Life Ball every year /faceplam)
http://en.wikipedia.org/wiki/Red_ribbon ... ess_origin
Any more of that and we'll be round your front door with the quick-setting whitewash and the shaved monkey.
Ah. It crossed my mind that it may not work with the dates after I posted it, but I didn't follow that up. Thanks for the clarification!stufarq wrote:VT was released in 1990. AIDS red ribbon wasn't created till 1991.rien wrote: The actual reason for my post, though: I'm SUCH a numpty. Red ribbon = AIDS. Another possible point of reference...
(I am seriously amazed that I didn't make that connection any sooner. After all, I reside in the city that holds the Life Ball every year /faceplam)
http://en.wikipedia.org/wiki/Red_ribbon ... ess_origin
“Getting an education was a bit like a communicable sexual disease. It made you unsuitable for a lot of jobs and then you had the urge to pass it on.�
- Being645
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Interesting. That's new to me too! I thought it was older.rien wrote:Ah. It crossed my mind that it may not work with the dates after I posted it, but I didn't follow that up. Thanks for the clarification!stufarq wrote:VT was released in 1990. AIDS red ribbon wasn't created till 1991.rien wrote: The actual reason for my post, though: I'm SUCH a numpty. Red ribbon = AIDS. Another possible point of reference...
(I am seriously amazed that I didn't make that connection any sooner. After all, I reside in the city that holds the Life Ball every year /faceplam)
http://en.wikipedia.org/wiki/Red_ribbon ... ess_origin
Good, you checked it, stufarq ... ...
Wouldn't have known for sure without checking, but my memory was that AIDS awareness was only just beginning around then, so it sounded a bit early.
Any more of that and we'll be round your front door with the quick-setting whitewash and the shaved monkey.
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red ribbons have something to do with gypsies and revenge
Goths have feelings too
- markfiend
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I always thought the red ribbon was an obscure reference to this - or at least to the yellow ribbon practice in general.
The fundamental cause of the trouble is that in the modern world the stupid are cocksure while the intelligent are full of doubt.
—Bertrand Russell
—Bertrand Russell
- Being645
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Yes. That seems most likely to me as well. Also considering they made Crash And Burn decades later ... ...markfiend wrote:I always thought the red ribbon was an obscure reference to this - or at least to the yellow ribbon practice in general.
Yeah, me too.markfiend wrote:I always thought the red ribbon was an obscure reference to this - or at least to the yellow ribbon practice in general.
Any more of that and we'll be round your front door with the quick-setting whitewash and the shaved monkey.