headcleaner2k wrote:Narrowed it down this far before I got busy with life and other things but here are my 1990 and beyond fave live versions of the following songs:
(edited down the list to just the songs within the scope of the compilation):
headcleaner2k wrote:
Arms (Lisbon 2009)
Bei Mir Bist Du Schein (Toronto 1999)
Capricorn (Hamburg 2001)
Come Together (1993)
Come Together (Madrid 2006)
Come Together (Toronto 1999)
Confide In Me (London 1997)
Crash & Burn (Tilburg 06-08-2005)
Crash And Burn (Frankfurt 2003)
Crash And Burn (Vegas 2006)
Giving Ground (Paris 2006)
Giving Ground (Toronto 1999)
Romeo Down (Event Horizon 1998)
Romeo Down (London 1998)
Romeo Down (Paris 2006)
Slept (Paris 2006)
Slept (Tabor 2005)
Snub Nose (The Forum 06-09-00)
Some Kind Of Stranger/Comfortably Numb (1992)
Still (Brussels 2006)
Still (Nottingham 2001)
Summer (Event Horizon 1998)
Summer (Paris 2006)
Summer (Toronto 1999)
Summer (Wiesen 1997)
Top Night Out (Tilburg 06-08-2005)
Top Nite Out (Frankfurt 2003)
Top Nite Out (Paris 2006)
War on Drugs (The Forum 06-09-00)
War On Drugs (Wiesen 1997)
We Are The Same, Susanne (Toronto 1999)
We Are The Same, Susanne 2 (Paris 2006)
Will I Dream (Event Horizon 1998)
Will I Dream (London 1998)
Will I Dream 2 (Paris 2006)
Many thanks for this list! If you have time (I realize it's a tall order!) to dig out and provide me with files or links to recordings, I'd love to go through them to compare and narrow down the candidates.
headcleaner2k wrote: Pity Eldritch lost the point and turned the groove machine into a seasonal touring business model to keep his arse off the street.
These new songs are so fckn good, it'd be amazing to hear them recorded properly without the words barked, grunted and yelped as has now become the Sisters live scene standard.
I totally agree. You pretty much nail my motivation for this project.
I'm so pissed off that they refuse to record and release this great material, even more so now, when crowdfunding such a project (with profit included) would be so simple (and profiting even further by selling directly to fans at gigs and through the web would also be a no brainer).
Negotiating a release with previous members who wrote songs can't be impossibly difficult, either, especially not if they get a cut.
I wonder what AE is so afraid of. I would go crazy being in a band like that. Oh well... here I go again.