Who were Jack and Nora? Which TSOM band member's Mum drove the band to the Clash support? What is "Dead and American"?
These and many other questions are answered in Mark Andrews' definitive account of the most creative year in the band's history (1983) in his new article for The Quietus. Put your feet up, pour yourself a drink, and read this : http://thequietus.com/articles/23082-si ... -gary-marx
Incredible stuff!
Incredible detailed account of TSOM 1983 in The Quietus
- Nikolas Vitus Lagartija
- Overbomber
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This is awesome stuff. Probably the most Craig has ever spoken about his time in the band post-split? Wayne's assessment of the 82/83 material shedding a LOT of light on certain things. A cracking good read.
If I told them once, I told them a hundred times to put 'Spinal Tap' first and 'Puppet Show' last.
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nice that my mate's old band and the house they all lived in got a mention
https://www.myheartland.co.uk/viewtopic ... ht=#619422
a good read indeed
https://www.myheartland.co.uk/viewtopic ... ht=#619422
a good read indeed
Goths have feelings too
- Being645
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A most wonderful read!!! ... ... For sure, it will take me more than one read to enjoy it in full ... and to adapt the SistersWiki to all the news and link all relevant pages to that great interview ... ... one can only say many, many thanks to Mark Andrews, all his interviewees ... and everybody else involved ... ... ... it's a wonderful day ... ...
Well, see for yourself.“There was a throwback punk kid stood in the front of Andrew,� recalls Marx, “who had some connection with a local band on the bill and had the big spiked hair and The Exploited or some such stencilled on his leather jacket.�
The punk was staring too intently or mouthed something or spat – his exact infraction had been forgotten - but as Adams began the opening heavy Motörhead-like chords of ‘Floorshow’ the punk attempted to climb up on to the stage.
Adams let go of his instrument, rushed forward and kicked him in the face. As the punk scurried off the stage, Adams carried on with ‘Floorshow’. Justice had been swift: Adams had only missed out one bar.
https://www.youtube.com/watch?v=TJHigbmu8js#t=17m04s
Craig's Big Moment. That bass sound is ridiculously mean and after the fact, it looks like he's circling for a brief, like a guard dog.
During the same song, came the pies. Go figure.
"I hold myself personally responsible for Nine Inch Nails (among others), but not for the fact that they look like Alien Sex Fiend." - Von, '95
That is an extraordinary read
I love the “Robert Smith light� description of Wayne
I love the “Robert Smith light� description of Wayne
- Planet Dave
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Nice read!
- ribbons69
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The sad aspect of that footage, and I say this as a fan of over thirty years and someone who loves the current incarnation and will be doing both London gigs, is that Doktor Avalanche sounds better there than he will at the Roundhouse tomorrow.copper wrote:Well, see for yourself.“There was a throwback punk kid stood in the front of Andrew,� recalls Marx, “who had some connection with a local band on the bill and had the big spiked hair and The Exploited or some such stencilled on his leather jacket.�
The punk was staring too intently or mouthed something or spat – his exact infraction had been forgotten - but as Adams began the opening heavy Motörhead-like chords of ‘Floorshow’ the punk attempted to climb up on to the stage.
Adams let go of his instrument, rushed forward and kicked him in the face. As the punk scurried off the stage, Adams carried on with ‘Floorshow’. Justice had been swift: Adams had only missed out one bar.
https://www.youtube.com/watch?v=TJHigbmu8js#t=17m04s
Craig's Big Moment. That bass sound is ridiculously mean and after the fact, it looks like he's circling for a brief, like a guard dog.
During the same song, came the pies. Go figure.
"I've seen Andrew Eldritch in an ice hockey shirt onstage, and I've given him the benefit of the doubt"
Tom G Warrior of Celtic Frost
we fall to rise
Tom G Warrior of Celtic Frost
we fall to rise
Steve Albini cited The Sisters as one of his inspirations for Big Black, and given the sound of that era of the band, it's not hard to hear why.copper wrote: Well, see for yourself.
https://www.youtube.com/watch?v=TJHigbmu8js#t=17m04s
Craig's Big Moment. That bass sound is ridiculously mean and after the fact, it looks like he's circling for a brief, like a guard dog.
During the same song, came the pies. Go figure.
Left at the dead badger.
- radiojamaica
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This is the s**t!!!
in dub we trust
- Izzy HaveMercy
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A very good read, thanks for that!
IZ.
IZ.
Brilliant stuff - makes me teary eyed thinking of those times, being 14yrs old and the band taking on the world. Nostalgia is not a bad thing - it's the past that shapes us and hopefully things might come full circle. It was probably one of the most enjoyable times for all involved - even if some don’t want to admit it
Is there any chance of an official release of demo's , rarities, outtakes or is does that require too many lawyers and intermediaries
They are all in the final third and should realize how fortunate they were
Is there any chance of an official release of demo's , rarities, outtakes or is does that require too many lawyers and intermediaries
They are all in the final third and should realize how fortunate they were
- Being645
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Absolutely. Gary is very good at describing all that was and making things come alive ... ...Zacharias wrote:Best read on World Wide Web in quite some time.
Indeed!Brad wrote:Really just makes me pine for a full fledged book on the matter.
Great read. I learned a lot from this.
Do I drive or am I driven?
Very interesting read, and I really hope there will be a next part with Taylor-turned-Eldritch sailing far up the river
As others have said, I have learnt new things. That Gary Marx seemed to be so sober, almost ascetic and non-partying surprised me.
But, where did they get their money from before the successful singles, I mean staying up all night taking expensive speed and generally "hanging around" 24 hours a day, going to the pub daily and having instruments, recording/playing...sounds like great but, well, expensive fun
And did Andrew drive a whole roadtrip without a driver's license!? Those were the days
As others have said, I have learnt new things. That Gary Marx seemed to be so sober, almost ascetic and non-partying surprised me.
But, where did they get their money from before the successful singles, I mean staying up all night taking expensive speed and generally "hanging around" 24 hours a day, going to the pub daily and having instruments, recording/playing...sounds like great but, well, expensive fun
And did Andrew drive a whole roadtrip without a driver's license!? Those were the days
- million voices
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Absolutely fascinating.
Many thanks for pointing it out.
Many thanks for pointing it out.
Well you must know something
'Cos we're dying of admiration here
Mastering obscure alternatives
'Cos we're dying of admiration here
Mastering obscure alternatives
Back then you could still survive on relatively little coming in as an "Income" and the DSS needed lots of proof before they could try and stop your benefits if you'd done some casual or infrequently paid work. Many bands even received Grants from the Benefits Office to help them start out. I think Ex-Students could still apply for Funding back then, as they could say they were taking a year out between courses?euphoria wrote:Very interesting read, and I really hope there will be a next part with Taylor-turned-Eldritch sailing far up the river
As others have said, I have learnt new things. That Gary Marx seemed to be so sober, almost ascetic and non-partying surprised me.
But, where did they get their money from before the successful singles, I mean staying up all night taking expensive speed and generally "hanging around" 24 hours a day, going to the pub daily and having instruments, recording/playing...sounds like great but, well, expensive fun
And did Andrew drive a whole roadtrip without a driver's license!? Those were the days
Bloody hell..that is a great superb article..
- AdrenaChris
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Really good article. Some Girls...was actually the first CD I bought of TSOM, so I discovered/fell in love with that more raw, metallic punk sounding material before I discovered a lot of the later stuff.