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Posted: 18 Aug 2011, 18:52
by Ahráyeph
Prescott wrote:No words were put in your mouth. I merely expressed my disdain for your lack of an argument.
Maybe in that universe of yours where the play 'Far Parade' all the time. I definitely found you putting words and sentiments into my - virtual - mouth. And, my dear boy, you couldn't insult me even if you would string even more pretentiously eloquent words into once sentence than you already do.
Every single point you tried to make had already been addressed in this thread, either by myself or someone else. If you can't be bothered to enter into a discourse that is even vaguely reminiscent of a manner that shows you've taken the time to read what we have already collectively said, then why should I or anyone else take your rant about some out-dated philosophy of selling records?
I was merely responding to a reply on my previous post in which I was quoted. That you didn't notice this, nor took it into account says more about your powers of observation - or lack thereof - than it does about my ability to enter into a discourse that shows I've taken the time to read other opinions in this thread. If it was my intention to join the debate on other points, I would have written a different reply. By the way, that reply wasn't even directed at YOU, so why do you feel the need to respond in another's stead? Self conscious much?

It's certainly a sign of the times. Baby-boomers and what not who continue to cling to the old paradigms and think that the rest of us have moved on are wrong.
Spoken like a devoted follower of Anders Behring Breivik. Will you too appear on my doorstep to shoot me because I happen to disagree with you? Or will you just continue to attempt to belittle me and anyone else who does so?
As I've mentioned before, who says you or Von or anyone else need spend inordinate amounts of money on some lavish production for a record? Obviously anything recorded would be better than those live recordings "available on YouTube in varying quality". It wouldn't really matter if you or I or Eldritch used Reason or ProTools or Logic and a few interns or if freaking Jim Steinman and Quincy Jones themselves produced and engineered it with Flood sitting there in the background sipping coffee and making strange noises.
You prove my point to a tee : you obviously have no idea that making music costs an amount of money. I never spoke of inordinate amounts. Again, you presume and put words in my mouth.
You and Andrew are both so close-minded about how to make a record it's not even funny. With this mind-set it's a wonder the early singles were ever recorded.
In my experience, those who are quick to accuse others of close mindedness are usually those who are the most close minded. Once again, you presume. It appears that anyone who disagrees with you is met with that disdain of yours, as you obviously belittle them and their points of view.

Given that kind of discourse, and the fact you've been mistaken intellectualism for intellect, I'll make an assumption of my own : either you're still at uni, or you have a hard time leaving the student mind set. Over the years, I've agreed and disagreed with many people here from all walks of life. Neither they nor I were ever prone to looking down on the other's points of view, even if we didn't agree at all. And we most certainly didn't resort to presuming anything about the other to prove our point at all cost.
I hope that clears things up.
Crystal clear. To the point where I won't even dignify a response to this reply of mine, as it is obvious that you have no respect for anyone whose opinion doesn't side with yours, no matter how many posh words you pack into a sentence to disguise it. Have fun in your universe, I'll go play with the adults on this board now...

Posted: 18 Aug 2011, 19:01
by Mav787
I think its time for you two to agree to disagree.

What's the point of analysing each other's words in minute detail?

We've all been brought here by a common love of the band. There are plenty enough people out there for us to worry about without taking on each other.

Re: Andrew Eldritch: Why won't you release a new Sisters LP?

Posted: 18 Aug 2011, 21:00
by bearskin
Ahráyeph wrote:
Dan wrote:
Ahráyeph wrote:Today this is absolutely not the case and downloading is killing music.
Well to be fair it isn't.
To be fair, it is. Yes, I agree : there has never been more music out there than nowadays. And how much of that is actually new? And how much of that new music is actually quality (besides my own band and FGG, of course ;D )?
Can I ask - is it downloading that is killing music, or is the internet that is killing music?

I believe the widespread access to the internet allows anyone who can string together a half-arsed demo to make it widely available, and the result is that we are drowning in musical dross. In the 'old' days at least the evil music companies would act as a filter - so that only half-decent stuff actually ended up making it to vinyl...or you pumped in a lot of money and self-published.

I do believe that downloading is killing music company and recording artist profits/incomes for sure.

However - :von: comes from a generation where if you were a successful muso, you could expect to the live the millionaire life with leBon's yacht, or Jagger's mansion etc. That isn't the case any more and maybe he's just a wee bit bitter about that?

Times have changed. and not necessarily for the better. Personally, I have never downloaded any music illegally from the internet How many of you can say that?

Posted: 18 Aug 2011, 21:46
by Izzy HaveMercy
Cubase 5, legally bought: 666 euro (yeah! *horns*)
Two decent monitors: 500 euro.
Desktop computer, dedicated to audio: 2000 euro.
Softsynths et al to produce those nice choons: 1000 euro.

For me alone. Take with that Sams input and normal wear and tear (cables etc), promo, postage (3 euro per cd sent is cheap)

Per 500 cd's pressed, count 1000-1500 euro pressing. Mastering per CD 500 euro.

Approximate total cost since I began with FGG?

Approx 10000 euro.

FGG CD's sold TOTAL back catalogue, approx thus far: 400, a rato of 10 euro apiece: 4000 euro income.

And this is HOME-RECORDED stuff, NO studio time booked except for mastering sessions.

I am so HAPPY that I have a regular job, because you cannot live from music, beieve me, believe ARF.

I love displaying these numbers and I am not the least mysterious about it, because people have to understand what such a low-profile release costs to do just right.

And can I do this much cheaper?

Yes.

I can download Reaper, for example, instead of buying Cubase. Or download Cubase illegally. I can mix on crappy stereo speakers instead of Tannoys. I can buy a Casio instead of new softsynths. I can skip mastering.

But I want to give you guys the quality you deserve, and that costs money. And now you are asking us, musicians to give you an inferior product?

Will. Never. Happen.

We respect our fans. I would never feed you cràp.

That's the burden of a musician. Try to understand that.

And get off ARFs back. No smiley necessary.

PledgeMusic only works for musicians with a big fanbase, and will never work with smaller bands. I've seen bands go down the drain because of PledgeMusic. Good bands, ten times better than us.

In theory, yes, but it works only for the happy few. Again...

Seriously, we do try our best, but standing out in the lower layers of music pondlife is maybe the hardest feat in music there is.

IZ.

Posted: 18 Aug 2011, 23:03
by Prescott
Ahráyeph wrote:




Spoken like a devoted follower of Anders Behring Breivik. Will you too appear on my doorstep to shoot me because I happen to disagree with you? Or will you just continue to attempt to belittle me and anyone...

...I'll go play with the adults on this board now...
I see what you are trying to do here, I must have really hurt your feelings some how for you to try to characterize me in that way. How "Adult" of you.

Whatever dude.

Re: Andrew Eldritch: Why won't you release a new Sisters LP?

Posted: 18 Aug 2011, 23:14
by Dan
Prescott wrote:
Ahráyeph wrote:
Dan wrote: Well to be fair it isn't.
To be fair, it is. Yes, I agree : there has never been more music out there than nowadays. And how much of that is actually new? And how much of that new music is actually quality (besides my own band and FGG, of course ;D )?

You probably didn't read my whole - I admit : elaborate - post or misunderstood it. It's not about the abundance of music, it is about musicians being able to be self sufficient enough to keep doing what they love and do best. The oversupply of mid - to low quality bands out there plus the fact that everyone downloads the music for free without consideration of the time and money that went into it (regardless of what anyone says, recording music on even a semi professional level still costs a small-to-sizable bundle of dough and a lot of hours of writing, recording and production), has made it that much harder for musicians and bands to stand out from the crowd, as they're drowning in an overload of noise. Having everything at your fingertips isn't necessarily a good thing, because a lot gets heard, but not a lot gets listened to intently. Which nowadays makes music a disposable commodity. I'm sure dear auld James will agree with me at least on this. So in that light, does it pay to release an album? No, it doesn't. Downloading IS killing music. Or, at least, the opportunity for musicians to keep making it.
I think if a band wants to release a new album that they don't want people copying they could include something exclusive with the album. A t-shirt perhaps, or some other nice artifact that you can't copy. Sure, people will still copy the music, that's inevitable, but it'll sell more than a bogstandard album.
In theory, you're right. But doing that costs an even bigger bundle of money, which most people or bands just couldn't front on their own. It would take... a record company. Loving the irony yet? I certainly am.

Fun fact : when my debut, 'Marooned On Samsara' was released, it didn't take long for the people who liked the music to start asking when the next album would be released. Three years and a handful of months have gone by since, and I'm on the verge of properly recording all the demos I've selected for this 'next album'. However, seeing the meager result of the album sales (in large part because it was illegally downloaded more than it was bought, but also through lack of promotion and opportunities to play live due to the oversaturation of the live market I've referred to in my original post), which generated ZERO income for me, but A WHOLE LOT OF DEBT which I'm still paying off instead, often makes me wonder if it's all still worthwile.

Unfortunately, I'm cursed with the gift of musicianship and I don't fit in anywhere else, so I have no other alternative than to keep going. But I did have to take on other jobs to recoup some of the losses I've made, which accounts in large part for this nearly four year delay. Non- musicians and even people who dearly love music by and large very rarely seem to take into consideration the amount of time and effort it takes to write a decent song, record it decently and produce it decently. In that sense, illegal downloading is like the looting in London and the other cities in the U.K. : we do it because we can, and we blatantly ignore the fact that we're hurting the wrong people. Harsh, perhaps, but true nonetheless.

You might condemn Von for not releasing anything new, but so far, all the arguments I've read against his stance as given in the NZ radio interview haven't convinced me at all. Releasing a new record is bad business, the songs can indeed be found in varying quality on Youtube for you to listen to and watch, which you shouldn't complain about if you're all about that pro free music stance anyway, so why then even harp about the fact there isn't something physical for you to have and hold?

I would love for the world to be a different place and releasing albums would still be a viable option. I mean, why else would I be so mad as to even seriously entertain the idea of releasing a new album next year? I love having a physical product of my favourite musicians' efforts, and for me it represents physical proof of my own, the end result of a long and intense creative process. But only if in that different world I spoke of Von still wouldn't release an album, this thread would have more validity. But here and now, to my mind, it hasn't. Whatever his other reasons may be and no matter whether they're justifiable or not, just the illegal downloading stance alone outweighs every other argument...
*Not just taping either. It's been going on since the advent of recording. I've got a recording of Harry Roy - She Had To Go And Lose It At The Astor (1939), copied by someone playing the 78 on a gramophone and recording it with a disc cutter via a microphone held next to it in about 1950. There's even recordings where someone's copied a wax cylinder off another wax cylinder by putting 2 machines together.
What you're referring to, is called 'bootlegging' and it's a whole different can-of what-Blaast!-posted-a-picture-of...

By focusing on only one issue, the illegal download issue and not addressing any of the points either myself or anyone else that agrees, you have created an ad hoc argument of no merit. Merely saying our arguments are "unconvincing" is lame and since that's basically another way of saying, "whatever dude" I'll return the favor.


Whatever dude.

Besides, I don't think this thread was meant to convince YOU of anything.
I thought he made some good points.

Of course it's no coincidence that the price of concert tickets has risen sharply with the advent of the freely available mp3, since concerts are still a good source of income. It's a weird reversal, because I remember reading an article about 20 years ago in which some band was complaining that touring was such a hassle because they made very little money out of it but it was essential to help publicise the albums!

One thing Eldo could do that'd cost very little to implement compared with the rewards he'd reap would be to record every gig and put soundboard quality versions onto itunes for 75p(or whatever) a song. Sure, there'd still be unauthorised copies put online by someone (although a lot of people are reluctant to put tomething online for free if they've had to pay for it) but it'd still bring in some money.

Posted: 18 Aug 2011, 23:45
by H. Blackrose
There are plenty of arguments about how Von could make a record and make it pay. No-one has made any arguments about why he should. For the sake of his own career? Clearly he doesn't care about that, and he's happy with what the Sisters have. So... because you think he owes you something?

Why have I got to be so undemanding? Because it's better for my mental health.

Posted: 19 Aug 2011, 00:39
by Prescott
H. Blackrose wrote:There are plenty of arguments about how Von could make a record and make it pay. No-one has made any arguments about why he should. For the sake of his own career? Clearly he doesn't care about that, and he's happy with what the Sisters have. So... because you think he owes you something?

Why have I got to be so undemanding? Because it's better for my mental health.
Plenty of us, especially myself, have made arguments as to why he SHOULD in this thread and elsewhere. If you haven't read them that's on you.

Posted: 19 Aug 2011, 01:47
by H. Blackrose
Arguments of the form "because it would make me feel better if he did" don't count.

Posted: 19 Aug 2011, 02:33
by Dan
What if it made Eldo feel better... to know that his legacy was being enjoyed rather than risking losing it during a hard drive crash?

Posted: 19 Aug 2011, 02:44
by Prescott
H. Blackrose wrote:Arguments of the form "because it would make me feel better if he did" don't count.
Alright. I thought I had already clearly laid out my reasons for thinking that Andrew Eldritch SHOULD release another Sisters LP or another series of singles. Obviously I did not lay it all out concisely enough. 

1. Preservation. Recording a song preserves the song, distills the song. It makes a song truly timeless by virtue of the fact that once an artist decides how they would like that song to be known, they can keep it that way. As long as even a single recording of the song exists and can be played, the song is made immortal. Obviously not in the abstract way sheet music does either. Sheet music and recordings serve similar purposes, yet are fundamentally different in their approaches. 

2. Legacy. As I have already attempted to make the case for, legacy seems to be important to Eldritch. He has made many comments in many interviews that would lead the listener/reader to be convinced by this. The Sisters legacy has a higher chance of being viewed as "unfinished" or "incomplete" as long as the recordings are not released. It also appears to some that by not releasing a definitive recorded version of the songs that have been played live only, he is avoiding the act of defining them as such for all time and thereby avoiding any criticism. Surely any music historian will recognize this as such and it could become the final chapter in the Sisters legacy. 

3. Clarity. Yes, audience recordings of live performances seem to be not only acknowledged by Eldritch but also now referred to by him as a replacement for any recorded output on his part. These live audience recordings range in quality from abysmal to good. None however are soundboard quality and even then, a mix that sounds good to the sound guy in the venue may not necessarily sound good later through smaller speakers or headphones. Hence, Eldritch releasing official soundboard recordings, that he has mixed down or that he believes sound great would also do the trick. Clarity is important, if one really is concerned with how their vocals sound and the way the band's instruments blend together, distractions such as crowd noise, feed back, sound artifacts created by the acoustics of the venue that were not considered or intended should not and need not be there to distract a listener in the comfort of their own home, auto, work, school or library. 

4. The Fans. This is perhaps the most controversial reason, yet it needs to be included. The fans, after being told countless times in the past to expect new Sisters recordings (since 1996) who have waited, stuck by Eldritch, gone to the gigs, bought tons of merchandise deserve it. Sisters fans are some of the most loyal fans on the planet, which Eldritch has conceded himself on many occasions. 

There you have it. My main reasons for why Andrew Eldritch should release new Sisters recordings of the aforementioned unreleased songs. Notice I did not mention money or success in the conventional out-dated sense of the word.

Posted: 19 Aug 2011, 06:29
by bearskin
When you listen to :von: latest interview - the one about NZ where he puts his case for the current situation, you can understand his position. This, above, puts forward a different position. You don't have to agree with either - I hppen to think this is reasoned and nicely put. I, also, for one, agree with it.

Posted: 19 Aug 2011, 06:38
by Ozpat
Prescott wrote:
There you have it. My main reasons for why Andrew Eldritch should release new Sisters recordings of the aforementioned unreleased songs. Notice I did not mention money or success in the conventional out-dated sense of the word.
Waw! :lol:

Posted: 19 Aug 2011, 08:43
by il duce
There are a couple of things I do not get though.

1. Almost all musiciand are agree. You do not make any money on albums, and you never have. You release albums to get people to go to your shows and buy merchandise, which is what you make money from.

As far as I can tell Sisters are playing smaller venues for everytime I see them.

2. Von claims that he do not need to make albums since Sisters is one of the most bootlegged bands out there.

What is so damn unfair about that is that we all know that Von can spend 3 bloody months to get a guitar to sound right, but we have to do with crappy-ass sounding bootlegs.

Either he cares about the sound or he does not. That statement tells me he does not care.

IF he was proud of his material and cared about his fans he would be interested in us being able to hear them sounding the best they possible can.

This he does not care about.

SO, he is not that proud or care about his new material.

My two cents.

Because Von is waiting for a record deal, he does not like where the record buisness is right now, bla bla is just s**t. His creativity has burned out, he knows it. I seriously do not think he can make a new album anymore, because it is not in him anymore. He could have 15-20 years ago, but that was then, now is now.

Posted: 19 Aug 2011, 09:00
by Prescott
il duce wrote:There are a couple of things I do not get though.

1. Almost all musiciand are agree. You do not make any money on albums, and you never have. You release albums to get people to go to your shows and buy merchandise, which is what you make money from.

As far as I can tell Sisters are playing smaller venues for everytime I see them.

2. Von claims that he do not need to make albums since Sisters is one of the most bootlegged bands out there.

What is so damn unfair about that is that we all know that Von can spend 3 bloody months to get a guitar to sound right, but we have to do with crappy-ass sounding bootlegs.

Either he cares about the sound or he does not. That statement tells me he does not care.

IF he was proud of his material and cared about his fans he would be interested in us being able to hear them sounding the best they possible can.

This he does not care about.

SO, he is not that proud or care about his new material.

My two cents.

Because Von is waiting for a record deal, he does not like where the record buisness is right now, bla bla is just s**t. His creativity has burned out, he knows it. I seriously do not think he can make a new album anymore, because it is not in him anymore. He could have 15-20 years ago, but that was then, now is now.
Yeah, it's like someone's Stairway To Heaven crumbled right beneath their feet at freefall. Something about H. Fielding-Hall and The Field of Honour. Maybe something he dialed? Not too sure though, it's as if he was told to stop or something? I guess The Song Remains The Same.

Posted: 19 Aug 2011, 09:01
by Bartek
It just poped into my head; i remeber that A.E. in one interview said that problem with albums is that you can capture only one emotion, express it in only one way, while gigs allows to present wider range/scope of emotions.
And who said that every single concert should be released - btw, we are talking about that like it can happens in next 3 weeks. It would take too much effort to release it in that way compared to estimated incomes.

Posted: 19 Aug 2011, 09:11
by James Blast
***PSYCHOBABBLE ALERT***
Prescott wrote:Yeah, it's like someone's Stairway To Heaven crumbled right beneath their feet at freefall. Something about H. Fielding-Hall and The Field of Honour. Maybe something he dialed? Not too sure though, it's as if he was told to stop or something? I guess The Song Remains The Same.

Posted: 19 Aug 2011, 09:13
by Prescott
Bartek wrote:It just poped into my head; i remeber that A.E. in one interview said that problem with albums is that you can capture only one emotion, express it in only one way, while gigs allows to present wider range/scope of emotions.
And who said that every single concert should be released - btw, we are talking about that like it can happens in next 3 weeks. It would take too much effort to release it in that way compared to estimated incomes.
Not true, it doesn't take a Thomas Pynchon to know that many artists have resolved that selling or making freely available a live bootleg series of soundboard recordings is a great alternative. See also Metallica, Pearl Jam, Ani DiFranco.

At least that's what Judy Garland told me.

Posted: 19 Aug 2011, 09:21
by Prescott
James Blast wrote:***PSYCHOBABBLE ALERT***
Prescott wrote:Yeah, it's like someone's Stairway To Heaven crumbled right beneath their feet at freefall. Something about H. Fielding-Hall and The Field of Honour. Maybe something he dialed? Not too sure though, it's as if he was told to stop or something? I guess The Song Remains The Same.
;D

Posted: 19 Aug 2011, 09:47
by Bartek
Wall. Both Metallica and Pearl Jam have record deal signed. Wall.
And I don't expect to get anything free from anyone.

Posted: 19 Aug 2011, 12:23
by James Blast
I urge everyone who's posted on here to listen to what David Ford has to say on this podcast, go on take some time out
http://www.wordmagazine.co.uk/content/d ... no-success

Posted: 19 Aug 2011, 12:43
by Sita
James, I can't listen to it right now because I'm at work and pretending to be concentrated ;)

I absolutely agree with Prescott that bootlegs are dreadful. Even though technology has become so much better, still - all the audience chatter, and the mix... I guess it's fun to collect as a hobby, but not for the music, at least not for your average music listener like me. Einstürzende Neubauten and Iggy Pop sell an USB stick with a a recording after the gigs, I wish Sisters would do something in that direction.

Posted: 19 Aug 2011, 17:31
by Izzy HaveMercy
Yeah yeah, it seems to work for books...

http://www.baen.com/library/prime_palaver1.asp

IZ.

Posted: 19 Aug 2011, 18:24
by James Blast
you can't listen to pages :|

think about what I'm saying Iz

Posted: 19 Aug 2011, 18:59
by DocSommer
Downloading IS killing music. Or, at least, the opportunity for musicians to keep making it.
Sounds like nonsense to me. I agree that downloading music may kill certain cash-flows in the business but it's not harming nowadays music scene(s) at all since todays online platforms allows way better/cheaper PR solutions and other opportunities in return.

If I take a look at the concert schedules in my area I see plenty stuff across all genres, popular acts, underground stuff and newcomers. And I agree that there's also lots of s**t out there but a.) that has nothing to to with music downloads and b.) if I call some act "s**t" I keep in mind that this is my opinion and respect that other people might like what I find unpleasent to listen.

Every half-way successful act will always make money with records and even if the profit margin would end up "+/- zero" it still would make sense to drop out records to drag the people to the live shows.

Musicians and especially newcomers just need to accept that the function of a record is shifting towards PR while the opportunities to earn money is moving back on the stage.