Then you can hardly call that a Sisters song, can you ?Obviousman wrote:I think that's the Lowpower mix or something alike, isn't it? Just a track remixed by somebody to which The Sisters aren't even slightly connectedBadlander wrote:- Alice 2003 (not so much for musical reasons as for the commercial intention)
Erm... Alice 2003 ? Now is that an ultra super rare release no one here knows about ? How much is it worth on eBay ?
As for commercial intention...
a- I have no problem with that as such. Doesn't stop a song from being good per se.
b- That was just a b-side.
c- Me like this new version.
Worst Sisters songs.
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I'd end this moment to be with you
Through morphic oceans I'd lay here with you
Through morphic oceans I'd lay here with you
'Will I Dream?' with Mike Varjak definitely had a lot more meat on it's bones.Planet Dave wrote:The only thing I can add to this most unusual thread is that Will I Dream? sometimes sounds a bit flat. Other times, however, like the Forum in 98 (well spotted skynet) it rocks like an epileptic b@stard.
Pretty much every time I think 'wish they'd drop <insert tune of the day>' they play a storming version (cf. Something Fast - Leeds 2001, Giving Ground - Leeds 2005, etc).
And now it's all gonna be different again with this new-fangled Count Of Monte Christo or whatever he's called.
From what I've heard of this new Count of Monte Christo fella, he's a lot more 90210 than he is M62
don't be ridiculousObviousman wrote:I think that's the Lowpower mix or something alike, isn't it? Just a track remixed by somebody to which The Sisters aren't even slightly connectedBadlander wrote:- Alice 2003 (not so much for musical reasons as for the commercial intention)
Erm... Alice 2003 ? Now is that an ultra super rare release no one here knows about ? How much is it worth on eBay ?
As for commercial intention...
a- I have no problem with that as such. Doesn't stop a song from being good per se.
b- That was just a b-side.
c- Me like this new version.
it's of course remix of dirty funker
long live rock'n'roll
"Ribbons" on the bootleg of Heidelberg 1990 is excellent.
I particularly like ultra-heavy rhythm which doktor avalanche is creating.
As far as Ribbons is concerns, it sounds far better than
subsequent live performance. (I mean 90-91 live is the best).
I hope several songs will be played again. such as:
- heartland
- no time to cry
- a rock and a hard place
- nine while nine
I particularly like ultra-heavy rhythm which doktor avalanche is creating.
As far as Ribbons is concerns, it sounds far better than
subsequent live performance. (I mean 90-91 live is the best).
I hope several songs will be played again. such as:
- heartland
- no time to cry
- a rock and a hard place
- nine while nine
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Ah, that onelachert wrote:don't be ridiculousObviousman wrote:I think that's the Lowpower mix or something alike, isn't it? Just a track remixed by somebody to which The Sisters aren't even slightly connectedBadlander wrote:
Erm... Alice 2003 ? Now is that an ultra super rare release no one here knows about ? How much is it worth on eBay ?
As for commercial intention...
a- I have no problem with that as such. Doesn't stop a song from being good per se.
b- That was just a b-side.
c- Me like this new version.
it's of course remix of dirty funker
Well, that's hardly connected either, is it
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Aaaaaaaaaah ! Stop this nonsense !bookish wrote:By far the worst is Heartland.
Then Anaconda.
I think I like everything else
Welcome to HL by the way.
I shouldn't follow this thread anymore, it's no good.
I'd end this moment to be with you
Through morphic oceans I'd lay here with you
Through morphic oceans I'd lay here with you
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heartland?bookish wrote:By far the worst is Heartland.
Then Anaconda.
I think I like everything else
by far the worst?
with it's driving drum-pattern and relentless bass-line?
with it's mournful, anguished intro and haunting, intricate guitar parts?
with lyrics like "to die in dreams, dissolve and fade" and the trancelike effective repetition of the last unending chorus?
can't see it myself.
Well I was handsome and I was strong
And I knew the words to every song.
"Did my singing please you?"
"No! The words you sang were wrong!"
And I knew the words to every song.
"Did my singing please you?"
"No! The words you sang were wrong!"
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The Damage Done Single (Year 6 music class)
When you don't see me (Presumably written by Michael Bolton)
Will I Dream (Chug Chug, Non-descript, Not very Sisters)
Stop knocking 'under the gun' and 1959, you
nutters; they're ace.
When you don't see me (Presumably written by Michael Bolton)
Will I Dream (Chug Chug, Non-descript, Not very Sisters)
Stop knocking 'under the gun' and 1959, you
nutters; they're ace.
Well I do like the lyrics, but they can't make up for the song. IMHO. Its just that chorus :eastmidswhizzkid wrote:heartland?bookish wrote:By far the worst is Heartland.
Then Anaconda.
I think I like everything else
by far the worst?
with it's driving drum-pattern and relentless bass-line?
with it's mournful, anguished intro and haunting, intricate guitar parts?
with lyrics like "to die in dreams, dissolve and fade" and the trancelike effective repetition of the last unending chorus?
can't see it myself.
"My heartland heartland heartland ... <repeat>"
- eastmidswhizzkid
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you see, that's what i find odd: the reasons given for not liking the sisters, by people who don't like the sisters, are usually the things which i love about them, the things which -for me- set them apart.
and with the song Heartland it's it's use of "effective repetition" (as opposed to monotony) in that chorus that sets it apart for me. like listening to techno, it's very easy to only hear the overall impression rather than the actual content, leading to comments like "it all sounds the same" or "doesn't it go on?" in actuallity there are ever-changing patterns and subtly different layers of texture within the more obvious framework.
each to their own. and welcome to HL.
and with the song Heartland it's it's use of "effective repetition" (as opposed to monotony) in that chorus that sets it apart for me. like listening to techno, it's very easy to only hear the overall impression rather than the actual content, leading to comments like "it all sounds the same" or "doesn't it go on?" in actuallity there are ever-changing patterns and subtly different layers of texture within the more obvious framework.
each to their own. and welcome to HL.
Well I was handsome and I was strong
And I knew the words to every song.
"Did my singing please you?"
"No! The words you sang were wrong!"
And I knew the words to every song.
"Did my singing please you?"
"No! The words you sang were wrong!"
- BillyBadBreaks
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eastmidswhizzkid wrote:you see, that's what i find odd: the reasons given for not liking the sisters, by people who don't like the sisters, are usually the things which i love about them, the things which -for me- set them apart.
and with the song Heartland it's it's use of "effective repetition" (as opposed to monotony) in that chorus that sets it apart for me. like listening to techno, it's very easy to only hear the overall impression rather than the actual content, leading to comments like "it all sounds the same" or "doesn't it go on?" in actuallity there are ever-changing patterns and subtly different layers of texture within the more obvious framework.
each to their own. and welcome to HL.
You still think swastikas look cool
The real nazis run your schools
They're coaches, businessmen and cops
In a real fourth reich you'll be the first to go
The real nazis run your schools
They're coaches, businessmen and cops
In a real fourth reich you'll be the first to go
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eastmidswhizzkid wrote:you see, that's what i find odd: the reasons given for not liking the sisters, by people who don't like the sisters, are usually the things which i love about them, the things which -for me- set them apart.
and with the song Heartland it's it's use of "effective repetition" (as opposed to monotony) in that chorus that sets it apart for me. like listening to techno, it's very easy to only hear the overall impression rather than the actual content, leading to comments like "it all sounds the same" or "doesn't it go on?" in actuallity there are ever-changing patterns and subtly different layers of texture within the more obvious framework.
each to their own. and welcome to HL.
But I still don't like techno (you should know by now).
I'd end this moment to be with you
Through morphic oceans I'd lay here with you
Through morphic oceans I'd lay here with you
As for "Heartland," I much prefer early live version,
1983-84, to original studio version. In particular
Heartland on the track of Detmold 84 is the best of all.
Heartland played during 1990 tour was a disappointment and I expect that more exciting Heartland will be performed live again during the 2006 tour.
1983-84, to original studio version. In particular
Heartland on the track of Detmold 84 is the best of all.
Heartland played during 1990 tour was a disappointment and I expect that more exciting Heartland will be performed live again during the 2006 tour.
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Don't expect too much. By the look of things, they aren't likely to resurrect a song that hasn't been played for 15 years.skynet wrote: Heartland played during 1990 tour was a disappointment and I expect that more exciting Heartland will be performed live again during the 2006 tour.
I'd end this moment to be with you
Through morphic oceans I'd lay here with you
Through morphic oceans I'd lay here with you
I'm a big fan of techno, but I still don't like HL.eastmidswhizzkid wrote:you see, that's what i find odd: the reasons given for not liking the sisters, by people who don't like the sisters, are usually the things which i love about them, the things which -for me- set them apart.
and with the song Heartland it's it's use of "effective repetition" (as opposed to monotony) in that chorus that sets it apart for me. like listening to techno,
Thanks!eastmidswhizzkid wrote: and welcome to HL.
I have some sympathy for the anti-Anaconda idea. I've never been blown away by it, but compared to Floorshow or The Damage Done, it at least sounds like a -song-
Heartland is brilliant. It's the Marxist (haha) guitar line na-na-na-na-na-na-na-naaaahh-nananananana-nah-naaaah. "I'm not a good guitarist but wheeeee this sounds neat!" The vocals are ok too.
Adrenochrome is probably the best of the early work (after Temple, of course). Nothing like writing a song about something that really matters in your life, I guess...
Heartland is brilliant. It's the Marxist (haha) guitar line na-na-na-na-na-na-na-naaaahh-nananananana-nah-naaaah. "I'm not a good guitarist but wheeeee this sounds neat!" The vocals are ok too.
Adrenochrome is probably the best of the early work (after Temple, of course). Nothing like writing a song about something that really matters in your life, I guess...
Flowers on the Razor Wire.
if i wasn't a fetishist when it comes to the sisters, i'd settle for having falaa, floodland, vision thing, sgwbm and sbwbm in my collection. sad but true, i do have a *few* other sisters items.Badlander wrote:They're good because... they're good, period. Not just because there's TSOM written on the cover. Otherwise you can start calling yourself a fetishist. Which you have every right to be, but I'm not sure that was your real intention.kazamel wrote:as said a few times, not one sisters song is bad, because... well, they're sisters songs. no explanation at hand or needed.
however, some or less good than others.
urmmm, it took me 15 minutes and reading through some other posts to get your remark *walking the streets of shame*Badlander wrote:- Alice 2003 (not so much for musical reasons as for the commercial intention)
Erm... Alice 2003 ? Now is that an ultra super rare release no one here knows about ? How much is it worth on eBay ?
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Well some weird fellows genuinely like listening to bootlegs and unofficial releases in general.kazamel wrote: if i wasn't a fetishist when it comes to the sisters, i'd settle for having falaa, floodland, vision thing, sgwbm and sbwbm in my collection. sad but true, i do have a *few* other sisters items.
Does that make you a fetishist ? Not in my book.
urmmm, it took me 15 minutes and reading through some other posts to get your remark *walking the streets of shame*
It happens to the best of us.
I'd end this moment to be with you
Through morphic oceans I'd lay here with you
Through morphic oceans I'd lay here with you
i agree with you on that, although normal people probably wouldn'tBadlander wrote:Well some weird fellows genuinely like listening to bootlegs and unofficial releases in general.kazamel wrote: if i wasn't a fetishist when it comes to the sisters, i'd settle for having falaa, floodland, vision thing, sgwbm and sbwbm in my collection. sad but true, i do have a *few* other sisters items.
Does that make you a fetishist ? Not in my book.
but having the mcd, 7", 12" and occasional mexican release of one and the same recording smells like fetishism to me
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Normal people are boring.kazamel wrote: i agree with you on that, although normal people probably wouldn't
but having the mcd, 7", 12" and occasional mexican release of one and the same recording smells like fetishism to me
I usually don't waste my time trying to figure out what "normal" means though.
I'm happy with one CD (for convenience) and one vinyl (for sound quality and for the nice cover) version.
And erm... sometimes a little more.
I'd end this moment to be with you
Through morphic oceans I'd lay here with you
Through morphic oceans I'd lay here with you
Lucretia My Reflection:
Which do you like better? Live during 1990 tour or 2003
onwards.
Original studio version Lucretia is one of my favourites and extended version is tremendously great. So recent live Lucretia of slow version sounds totally different song. :-(
Which do you like better? Live during 1990 tour or 2003
onwards.
Original studio version Lucretia is one of my favourites and extended version is tremendously great. So recent live Lucretia of slow version sounds totally different song. :-(
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I prefer the 7" or the album mix to the 12" of Lucretia. The 12" mix proves that it is possible to have too much of a good thing.
The fundamental cause of the trouble is that in the modern world the stupid are cocksure while the intelligent are full of doubt.
—Bertrand Russell
—Bertrand Russell