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Posted: 26 Nov 2008, 15:50
by Quiff Boy
http://www.google.com/search?q=tell+it+not+in+gath
reveals:
http://www.adventistreview.org/2004-1532/story4.html
The Bible records the reaction of David when a messenger from the battlefield brought word that the Philistines had killed King Saul, who had tried to take David's life. Instead of rejoicing at the news, David lamented: "Your glory, O Israel, lies slain on your heights. How the mighty have fallen! Tell it not in Gath, proclaim it not in the streets of Ashkelon" (2 Sam. 1:19, 20, NIV).
Gath and Ashkelon were cities of the Philistines; David is saying: "The enemies of God's people don't need to hear this news!"
and
http://en.wikipedia.org/wiki/Gath
Gath (city), the biblical city and home of Goliath
not so nonsensical after all
Posted: 26 Nov 2008, 16:00
by Maisey
Derailing onto a Rosetta path for a moment (how predictable of me)...
Gath: An ancient city of Palestine east-northeast of Gaza. It was one of the five Philistine city-kingdoms and the home of Goliath
DRIVEL
Personally I love both Hussey's and Porl's lyrics, although they both lack a certain level of depth.
I read an interview with Porl in a fanzine pretty much saying that it was more about how they sounded than what they meant. I've got no problem with that, I impose my own meanings onto a lot of Rosetta's lyrics, simpley because the floral language allows me to do so quite nicely.
For what it's worth, to me Something Strange is all about drugs, that state of blissful confusion when you're mind is more beaten up than your body but inside of fighting it you just go with it. Skip forward past 15 sets of break up lyrics...
And let's not forget the lyrical genius that is Adrenaline! "God Speed Be With You" "Cloud nine, white line" "the truth possessed within these lines" "DUST
dust dust" "Lightspeed, intensity, driven by it's purity"
It's like a fcking love song to his drug dealer - I can't get enough of it!
All in all I think Porl King is a genius lyricist (not in the same way that Eldritch is, the depth's of who's lyrics drowns me). He wrote some pretentious peotry and made it sound so damn good, without ever being truely OTT. Even if it doesn't mean much, the listener really wants it to and on top of that they feel good in your mouth - just say "suruptitious evidence like dust in my eyes" out loud!
Posted: 26 Nov 2008, 16:07
by Quiff Boy
Maisey wrote:Derailing onto a Rosetta path for a moment (how predictable of me)...
Gath: An ancient city of Palestine east-northeast of Gaza. It was one of the five Philistine city-kingdoms and the home of Goliath
DRIVEL
Personally I love both Hussey's and Porl's lyrics, although they both lack a certain level of depth.
I read an interview with Porl in a fanzine pretty much saying that it was more about how they sounded than what they meant. I've got no problem with that, I impose my own meanings onto a lot of Rosetta's lyrics, simpley because the floral language allows me to do so quite nicely.
For what it's worth, to me Something Strange is all about drugs, that state of blissful confusion when you're mind is more beaten up than your body but inside of fighting it you just go with it. Skip forward past 15 sets of break up lyrics...
And let's not forget the lyrical genius that is Adrenaline! "God Speed Be With You" "Cloud nine, white line" "the truth possessed within these lines" "DUST
dust dust" "Lightspeed, intensity, driven by it's purity"
It's like a fcking love song to his drug dealer - I can't get enough of it!
All in all I think Porl King is a genius lyricist (not in the same way that Eldritch is, the depth's of who's lyrics drowns me). He wrote some pretentious peotry and made it sound so damn good, without ever being truely OTT. Even if it doesn't mean much, the listener really wants it to and on top of that they feel good in your mouth - just say "suruptitious evidence like dust in my eyes" out loud!
yeah, porl's early lyrics were self-confessed nonsense used to set the tone rather than for actual content, but as the band progressed (digressed?) his lyrics adopted a more personal tone... i think i read somewhere that subterfuge was probably the first 'mainly personal' lyrics he wrote, and then hell or high water (the witch b-side) was the start of the whole thing getting a lot more personal...
obviously, when porl says personal he still means with that rather floral,
shelleyan tone
but if you compare the latter lyrics with the early ones there is a definite improvement.
shame the same cant be said for the music
:p
Posted: 26 Nov 2008, 16:10
by Maisey
nodubmanshouts wrote:
(b) you managed Rosetta... their early lyrics.... wonder how Shelley is these days?
*ahem*
precident!
Eldritch, Domininon wrote:The lone and level sands stretch far away
Shelley, Ozimandias wrote:The lone and level sands stretch far away
Posted: 26 Nov 2008, 16:11
by robertzombie
Posted: 26 Nov 2008, 17:26
by Petseri
robertzombie wrote:... but what on Earth does "gath" mean?
It shows up in the dictionary a few pages prior to "mank".
Posted: 26 Nov 2008, 18:06
by Nic
robertzombie wrote:
... but what on Earth does "gath" mean?
He got one letter wrong.
Posted: 26 Nov 2008, 21:16
by 10-E Rabid
Driven Like The Snow
Adrenochrome
Under the Gun
That's what I think. yiipee!!!
Posted: 26 Nov 2008, 21:27
by nodubmanshouts
The Shelley here being the girl, not the poet...
Posted: 26 Nov 2008, 21:35
by 7anthea7
nodubmanshouts wrote:The Shelley here being the girl, not the poet...
Not to mention Oz
ymandias
Posted: 26 Nov 2008, 22:36
by darkparticle
So, what are everyone's favorite Sisters of Mercy lyrics, and why?
I'd fail to find a favourite as I find many tracks utterly different in attitude and appeal.
I like the consistent depth, if not in a penetrating sarcasm, in an outlook or observation. I rate both Ian and Andrew as lifestyle poets and I don't think they're comparable. I don't think AE has finished performing yet and it could be that the best is yet to come
Posted: 26 Nov 2008, 22:41
by 7anthea7
darkparticle wrote: I'd fail to find a favourite as I find many tracks utterly different in attitude and appeal.
Seconded. You'd have to ask me what my favourite is right
now...because it's going to change depending on where my head is at at any given moment. It's the fact that there's a lyric that's appropriate for just about any moment I might have that's kept me coming back for...well, all this time
Posted: 26 Nov 2008, 23:36
by nowayjose
darkparticle wrote:and it could be that the best is yet to come
A customer enters a horse stable.
Customer: 'Ello, I wish to register a complaint.
...
Posted: 26 Nov 2008, 23:48
by DancingtheGhost
....the best is yet to come....as stated in Under the Gun....an all time fave!
Guess one could spend some time figuring out what
meant with that one
Posted: 27 Nov 2008, 03:20
by Wilkstein
Not to put too fine a point on it, but there's really no one like Eldritch. There are so many stand-out moments lyrics-wise that it's really, really hard to pick a favourite. I think Nicole made some excellent points... There are layers and layers of stuff and the thrill and feelings that one gets from listening to these songs is virtually endless, even if you've alread heard some of these songs thousands of times (as I have). I think that ultimately it's the confluence of Eldo's voice and its timbres, the Doktor, the chords, and everything else that creates this magnetic atmosphere...The lyrics geometrically compound the effect of the music... In any case, since you're wondering, my most unforgettable moments include:
Flood II - utterly devastating... Pure metaphysics in every respect. Quite possibly the greatest song ever.
Ribbons - deliciously psychotic... Genius.
When You Don't See Me - "You bought me a mask..." - shivers all around...
Nine While Nine - "...and I'm waiting..."
Susanne - "let the ether fall..."
...and on and on and on....
Posted: 27 Nov 2008, 13:55
by nigel d
Quiff Boy wrote:http://www.google.com/search?q=tell+it+not+in+gath
reveals:
http://www.adventistreview.org/2004-1532/story4.html
The Bible records the reaction of David when a messenger from the battlefield brought word that the Philistines had killed King Saul, who had tried to take David's life. Instead of rejoicing at the news, David lamented: "Your glory, O Israel, lies slain on your heights. How the mighty have fallen! Tell it not in Gath, proclaim it not in the streets of Ashkelon" (2 Sam. 1:19, 20, NIV).
Gath and Ashkelon were cities of the Philistines; David is saying: "The enemies of God's people don't need to hear this news!"
and
http://en.wikipedia.org/wiki/Gath
Gath (city), the biblical city and home of Goliath
not so nonsensical after all
QB you are either
a) very helpful in discovering lyric context
b) without friends and have no life
Posted: 27 Nov 2008, 14:36
by Quiff Boy
a bit of both i suspect
i'm also:
c) a whizz with the ole' googleywotsitinterwebbything
Posted: 27 Nov 2008, 19:58
by markfiend
In 'Life of Brian' isn't the bloke stoned for blasphemy called Deuteronomy of Gath?
Posted: 27 Nov 2008, 21:28
by stufarq
Matthias, son of Deuteronomy of Gath
Posted: 27 Nov 2008, 21:45
by GC
I don't know why but reading this thread reminds me of " Grassy Knollngton" (Viz character)
Posted: 27 Nov 2008, 21:46
by Ramone
"For it is written in the book of Cyril, that a man shall not covert his donkey or his neighbours donkey."
Posted: 27 Nov 2008, 23:09
by mandrake
That's what got me into the Sisters. His voice and those lyrics. Even the cover versions...The simple twist of words in Gimme Shelter(War is just a Kiss away is so much more powerful than the Stones' version). More examples?
"The razor bites and the shriek subsides"
"I don't sleep so I don't dream.."
"Nothing but the night / knife(?) to live for"
"We have fear and we have fuel"
Or for example the misunderstood "When you don't see me" As one reporter thought it was Eldritch wasting away without his love...or there is Eldritch twist ...;> (and ofcourse it would have been a MOR song if it was not for That voice coming in from below...)
Torch has some blinding lyrics. Or;
"The meek shall inherit what they damn well please"
His play with words inspired me. As ofcourse T.S Elliot inspired Eldritch.
"Names are but a souvenir"
"Dance the ghost with me"
"Hailing Mary's left and right"
"The truth is drowned"
"The light shine clear through the sodium haze"
"Love is a many splintered thing"
As for the new songs..the lyrics are still there. Still has some secrets as does Susanne..Romeo down...He still has it, now he should release it.
Posted: 28 Nov 2008, 00:04
by Maisey
nigel d wrote:
QB you are either
a) very helpful in discovering lyric context
b) without friends and have no life
It's quite possible for Rosetta Stone to constitute both a friend and way of life
Posted: 28 Nov 2008, 14:33
by markfiend
stufarq wrote:Matthias, son of Deuteronomy of Gath
So it is. D'oh!
Posted: 30 Nov 2008, 05:54
by 6FeetOver