A lot of these Silver Bullet threads are staring to cross-pollinate, and why not?
But if we deal with the issue of Smoke:
I'm guessing whoever has his finger on the trigger of the smoke machine(s) uses the same cues every night? Though I'm now starting to wonder whether it's all pre-programmed? I can't honestly believe that a real person, seeing the venue, bars, toilets are awash with fog would continue to pump out more dry ice. There's a crowd safety issue here after all ... and doesn't Andy bemoan the fact that sometimes on stage they walk into each other and burn themselves on the ground level spot lights?
So, if it is pre-programmed then it all comes down to the characteristics, architecture and ventilation systems of the venue. The Astoria is a hateful venue. Very wide, very flat and not the highest ceiling so I can understand why the smoke won't dissipate at times.
And, if it is pre-programmed, then more smoke is being pumped out before the previous smoke has had a chance to clear.
The Forum on the other hand is long and narrow and has an extremely high ceiling. The smoke pumps out at the start of each song but has usually cleared by the end of each song (see 18.04.03 DVD which is the finest going) which leads me back to the pre-programmed angle. Yes, have a human being who can pump
more smoke when required if it's clearing too quickly but I can't believe a guy will sit there unable to even see the band (or his hand in front of his face) and think 'more smoke, more smoke'.
Paris was perfect (listen to the audio boot). I was in the HL continental mainland mosh and sound was great, lights were great and smoke was great. From standing somewhere between Ben and Andy, I could still see Chris on the other side of the stage from 4-5 rows back and heard a perfect mix and a great light/smoke show. It was the same in Tilburg In 05 (when I met the HL Johnny Foreigners for the first time.

)
Big venues (13, le Zenith) the Sissies thang works. Small venues it doesn't.
