OH GOD! THE FLASHBACKS!Debaser wrote:Biff, Chip and Floppy book (Oxford Reading Tree at it's finest)
my favourite painter
- Brideoffrankenstein
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I'm not sure who the artist is but I rather like this painting
I also quite like the artist that did a lot of Burzum album covers but I don't think they're paintings
I also quite like the artist that did a lot of Burzum album covers but I don't think they're paintings
Dali
Rothko
Kandinsky / László Moholy-Nagy / Klee and the rest of the Weimar Bauhuas crew
To be honest, and it looks like Mr Fiend's with me on this, I don't do a bomb on figurative work. Francis Bacons pretty good though.
Sculpture wise its Barbara Hepworth, Henry Moore and our man Damien Hirst.
Rothko
Kandinsky / László Moholy-Nagy / Klee and the rest of the Weimar Bauhuas crew
To be honest, and it looks like Mr Fiend's with me on this, I don't do a bomb on figurative work. Francis Bacons pretty good though.
Sculpture wise its Barbara Hepworth, Henry Moore and our man Damien Hirst.
Something pithy.
- markfiend
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I am indeed with you mik. Figurative painting is dead, and has been since the Post-Impressionists
And I'm glad to see another Rothko fan. I spent hours in the Rothko room at the Tate when I first saw it. I simply must see the Rothko Chapel at some point.
And I'm glad to see another Rothko fan. I spent hours in the Rothko room at the Tate when I first saw it. I simply must see the Rothko Chapel at some point.
The fundamental cause of the trouble is that in the modern world the stupid are cocksure while the intelligent are full of doubt.
—Bertrand Russell
—Bertrand Russell
My first real experience of Rothko was at the old Tate Gallery (now Tate Britain) and I was just blown away by the sheer scale of some of the canvases. You really can't appreciate the emotional impact of these canvases by looking at a postcard or Athena reproduction - although I've got one from MoMA NYC in my hallway - It was like walking into a cathedral; it can just make your heart stop while your brain struggles to cope with the visual signals.
Very, very powerful.
Pollocks's work is the same imho.
Actually, whilst saying size isn't everything I've seen some massive canvases by Dali, Pollock, Rothko, Monet (Waterlilies) and some of the more mainstream artists, and its a bit like the difference between watching a film on TV and watching the same film in CinemaScope (or better still IMAX) with SenSurround. When the image fills your peripheral vision as well as your 'central' vision you get the sense that you're being consumed by it.
Which can be unsettling, but also exhilerating.
Very, very powerful.
Pollocks's work is the same imho.
Actually, whilst saying size isn't everything I've seen some massive canvases by Dali, Pollock, Rothko, Monet (Waterlilies) and some of the more mainstream artists, and its a bit like the difference between watching a film on TV and watching the same film in CinemaScope (or better still IMAX) with SenSurround. When the image fills your peripheral vision as well as your 'central' vision you get the sense that you're being consumed by it.
Which can be unsettling, but also exhilerating.
Something pithy.
- lazarus corporation
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There are times when I can really appreciate Rothko, but, god, the man's work is thoroughly depressing. Now obviously he made it that way deliberately (and as such it shows a great understanding of the use of colour to control and manipulate emotions in the viewer) but it's the equivalent of being forced to listen to Morissey for 24 hours. Pollock is better (by not being such a miserable c**t) but too much macho posturing.mik wrote:Dali
Rothko
Kandinsky / László Moholy-Nagy / Klee and the rest of the Weimar Bauhuas crew
To be honest, and it looks like Mr Fiend's with me on this, I don't do a bomb on figurative work. Francis Bacons pretty good though.
Sculpture wise its Barbara Hepworth, Henry Moore and our man Damien Hirst.
The Bauhaus crew I'm not too keen on - too anal in most cases. The full blown Expressionist movement in Germany rocks my boat far more, but I always liked (good, challenging) figurative work.
Sculpture - Giacometti is about the only 'proper' sculptor I like (but, as I mentioned earlier, his paintings are better). For other 3D work I'd go for Rauschenberg, Joseph Cornell, Marc Quinn and Rachel Whiteread. Hirst is a great marketer, but a p*ss poor artist (IMHO) - I appreciate the joke, but I like substance not just style.
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I'm not a big fan of the 3-D, I tend to prefer architects, I like Calder... sometimes
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- weebleswobble
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Harry
He paints houses and I used to get skunky wunky off him, but it made me really paranoid so I stopped.
He still paints houses though, he is a lovely chap.
I fear this is called off topic
He paints houses and I used to get skunky wunky off him, but it made me really paranoid so I stopped.
He still paints houses though, he is a lovely chap.
I fear this is called off topic
‎"We will wear some very loud shirts. We will wear some very wrong trousers."
- markfiend
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I'd agree with you there. You have to admit, he knows his target marketlazarus corporation wrote:Hirst is a great marketer, but a p*ss poor artist (IMHO) - I appreciate the joke, but I like substance not just style.
Although last time I was in NL, me and Kerry went to Den Haag and Hirst's sculpture that's based on the old collecting box / polio girl was there. I liked that piece.
The fundamental cause of the trouble is that in the modern world the stupid are cocksure while the intelligent are full of doubt.
—Bertrand Russell
—Bertrand Russell
- mugabe
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Peter Nicolai Arbo.Brideoffrankenstein wrote:I'm not sure who the artist is but I rather like this painting
[Blood, Fire, Death]
Theodor Kittelsen.Brideoffrankenstein wrote:I also quite like the artist that did a lot of Burzum album covers but I don't think they're paintings
Nothing ventured, nothing lost
- Brideoffrankenstein
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mugabe wrote:Peter Nicolai Arbo.Brideoffrankenstein wrote:I'm not sure who the artist is but I rather like this painting
[Blood, Fire, Death]
Theodor Kittelsen.Brideoffrankenstein wrote:I also quite like the artist that did a lot of Burzum album covers but I don't think they're paintings
- Obviousman
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- James Blast
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one trick ponies IMO Z
"And when you start to think about death, you start to think about what's after it. And then you start hoping there is a God. For me, it's a frightening thought to go nowhere".
~ Peter Steele
~ Peter Steele
- Obviousman
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Hmm, could well be, had never heard of 'em before and on a first reading it didn't seem too negative. The paintings I found online came close to rip-off stuff indeed though. Actually was waiting for someone who knew about them to say if they're any good
Not worth the effort of further investigation then, I guess
Not worth the effort of further investigation then, I guess
- James Blast
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no, G+G are worth investigating it's just they have been churning out the same old piss for decades
"And when you start to think about death, you start to think about what's after it. And then you start hoping there is a God. For me, it's a frightening thought to go nowhere".
~ Peter Steele
~ Peter Steele
- Obviousman
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Alright
- lazarus corporation
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totally agree - it worked for a bit but they've been churning this formulaic stuff out for decadesJames Blast wrote:no, G+G are worth investigating it's just they have been churning out the same old piss for decades
- markfiend
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Hey, when you've got a formula that good, why change it?
I'd forgotten about G+G; I think they're fabulous.
I'd forgotten about G+G; I think they're fabulous.
The fundamental cause of the trouble is that in the modern world the stupid are cocksure while the intelligent are full of doubt.
—Bertrand Russell
—Bertrand Russell
Anthony Gormley
Something pithy.
- Quiff Boy
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despite their obsession with sailers, young "native" boys, and other such homo-erotica, i love the composition and treatment that pierre & gilles apply to their "photos". the marc almond/devil picture is stunning, as is their work on the video for "a lover spurned"
and as stated somewhere above, aubrey beardsley is surely the last word in swirly black art nouveau/goth pixie artwork
i also have a soft spot for ed gorey's illustrations
and as stated somewhere above, aubrey beardsley is surely the last word in swirly black art nouveau/goth pixie artwork
i also have a soft spot for ed gorey's illustrations
What’s the difference between a buffalo and a bison?