Posted: 20 Nov 2015, 13:13
Listening now, analysis and sonic impressions forthcoming.
Seems like what country you are in 7 music Sweden is most retarded ^^ They only offers it in mp3robm wrote:7music don't have the collection in 24 bit (just 16 bit, unlike the FALAA collection). Is that standard for a new release or something to poke them about?
Would you recommend I get the vinyl box set or stick with my 1st edition floodland and get the 1st edition singles?robertzombie wrote:This is is easily the best digital version of Floodland. The EQ has been given quite an overhaul in comparison to the original CDs and Rhino's previous remaster. The top end has been rolled off to deal with some of the grainy harshness apparent on the original CD, and the bass is full and powerful without being too overbearing. You'll easily hear the difference in mastering by comparing Dominion on this 2015 edition against an original CD. The added resolution on offer here perhaps lends a bit more insight into the more complex musical passages, but it's slight. Flood I, 1959, and Flood II are the sonic highlights for me.
Dynamics are generally good. The remaster has an average dynamic range of 12 dB, with a minimum of 10 and a maximum of 15. Personally I would have liked a little less compression (Dominion and Lucretia are the worst offenders) as we know, thanks to the superb MFSL vinyl remaster, that these tracks don't need compression to sound big and powerful. Don't let those number put you off buying this though.
I'm not entirely pleased with the sound of the bonus tracks. They're mastered okay, with the 12" This Corrosion and Torch sounding particularly rich, but that top end roll-off that helps elsewhere on the remaster hinders the 12" versions of Dominion and Lucretia. The Dominion 12" version in particular sounds awfully flat and muffled. There's more space on the original CD singles. Thankfully Emma gets a good digital mastering, at last.
One curio to listen out for: The vocal mix on 1959 is unique. Can you spot the difference?
03:10 - "in fifty-nine..."robertzombie wrote:One curio to listen out for: The vocal mix on 1959 is unique. Can you spot the difference?
Living in Sweden, I ordered the 24-bit tracks from hdtracks.com. Discount code HDNOV20Drsisters wrote:Seems like what country you are in 7 music Sweden is most retarded ^^ They only offers it in mp3robm wrote:7music don't have the collection in 24 bit (just 16 bit, unlike the FALAA collection). Is that standard for a new release or something to poke them about?
Thx God for VPN
I haven't heard the box set yet.BodyElectrified wrote:Would you recommend I get the vinyl box set or stick with my 1st edition floodland and get the 1st edition singles?robertzombie wrote:This is is easily the best digital version of Floodland. The EQ has been given quite an overhaul in comparison to the original CDs and Rhino's previous remaster. The top end has been rolled off to deal with some of the grainy harshness apparent on the original CD, and the bass is full and powerful without being too overbearing. You'll easily hear the difference in mastering by comparing Dominion on this 2015 edition against an original CD. The added resolution on offer here perhaps lends a bit more insight into the more complex musical passages, but it's slight. Flood I, 1959, and Flood II are the sonic highlights for me.
Dynamics are generally good. The remaster has an average dynamic range of 12 dB, with a minimum of 10 and a maximum of 15. Personally I would have liked a little less compression (Dominion and Lucretia are the worst offenders) as we know, thanks to the superb MFSL vinyl remaster, that these tracks don't need compression to sound big and powerful. Don't let those number put you off buying this though.
I'm not entirely pleased with the sound of the bonus tracks. They're mastered okay, with the 12" This Corrosion and Torch sounding particularly rich, but that top end roll-off that helps elsewhere on the remaster hinders the 12" versions of Dominion and Lucretia. The Dominion 12" version in particular sounds awfully flat and muffled. There's more space on the original CD singles. Thankfully Emma gets a good digital mastering, at last.
One curio to listen out for: The vocal mix on 1959 is unique. Can you spot the difference?
Any chance of a re-up on that? I was a little late to the party...robertzombie wrote:I like the sound of those "vinyl versions". Looks like my recent project might become unnecessary quicker than I anticipated!
Sure thing. Unless you can work torrents? It's out thereshivarising wrote:Any chance of a re-up on that? I was a little late to the party...robertzombie wrote:I like the sound of those "vinyl versions". Looks like my recent project might become unnecessary quicker than I anticipated!
Yes, I guess you're right.shivarising wrote:Apples and oranges. I don't even want to get started but...Being645 wrote:I really wonder what could be remastered about Floodland ... the tracks sound so perfectly recorded to me ...
1 Recording
2 Mixing
3 Mastering
Totally different processes.
Cool. I'm looking forward to your expert judgement ... ...robertzombie wrote:Finally the LP boxed set has arrived!
Rare edition. Twenty years time a German will pay long hundreds for that. You got the golden ticket Charliexfloorshowx wrote:Arrived today, two copies of Lucretia 12", no Floodland
Return it.xfloorshowx wrote:Arrived today, two copies of Lucretia 12", no Floodland
ok, then give me an offer before I return itpaint it black wrote:Rare edition. Twenty years time a German will pay long hundreds for that. You got the golden ticket Charliexfloorshowx wrote:Arrived today, two copies of Lucretia 12", no Floodland