Thank you for the link,
Todashi!!! ...
... I've also pushed it through
DeepL and that is the result of their translation.
I had to type it out, since, of cource, they won't let you just copy&paste a text of that length.
But here you go. Enjoy...
... imho, it's an entertaining and lovely read...
The Sisters of Mercy:
"I stayed in one room in Antwerp together with my Flemish girlfriend for nine months".
The line is bad, and Andrew Eldritch mistakenly thinks I say "bummer" instead of "honour" in the sentence "it's an honour to speak to you". A mean sentence for those who doubt this, because The Sisters of Mercy may have been irrevocably catalogued in the "past glories" box for centuries, but they remain youth heroes. And they are touring youth heroes, too: their European tour, which kicked off in March, will stop off in Trix on 7 April and in AB on 17 and 18 April. What, oh great godfather of goth, can we expect?
Andrew Eldritch (62): More of the same.
HUMO: More of the same?
Eldritch (hums): "Hmm, hmm. But better played than ever. I hope so. We're going to bring new songs anyway: the past two corona years we've written about thirty. Thanks to Dylan Smith, the Australian surfer boy who's been our regular guitarist since 2019: he's somehow given the band fresh energy."
HUMO: Thirty new songs?
Eldritch: Something like that.
HUMO: I know you've been asked this question for at least three decades now, but why don't you finally record a new album?
Eldritch: Because making records is a great way to lose a lot of money. We are an excellent live band, so we sell enough tickets to make a comfortable living. So we don't need to make records.
But it certainly could have been. If you add all the unreleased material since our last record with new songs (Vision Thing) you get to sixty songs.
HUMO: A lot of fans would be very happy if you recorded the ten or eleven best and a...
Eldritch (interrupting): A lot of fans would be very happy if I came to dinnerr with them - but that doesn't mean I would.
HUMO: I have it from a good source that you do intend to settle in Belgium.
Eldritch: Your source is not that good, because I am already in Belgium. I have been officially living in Antwerp for a long time.
HUMO: Why?
Eldritch: One: it's convenient, because the Brexit is a complete f**k up, which has made my international life considerably more difficult. Two: it's pleasant to be able to say that The Sisters of Mercy is Belgium's greatest new band.
HUMO: Haha.
Eldritch: And three: there's a girl. Normally I travel a lot: I still own some houses in England, and I also have pied-à-terre on the Mediterranean. but in 2020, the first corona year, I spent nine months together with my Flemish girlfriend in one room in Antwerp.
HUMO: Did that work a bit?
Eldritch: Erm... Not really.
HUMO: How do you like Belgium?
Eldritch: Good
HUMO: Are you not often recognised in the streets?
Eldritch: When I take off my sunglasses, nobody recognises me. Not even in England, by the way. Just this week I went to see The Levellers perform in Sheffield. Only The Levellers recognised me.
HUMO: Do they still exist?
Eldritch: Of course they still exist!
HUMO: I had never seen a fan of The Levellers in you.
Eldritch: In England you have four or five bands that are known for being far left. We're one of them, and so are The Levellers. Hence.
HUMO: Have you ever heard of the Belgian group Whispering Sons?
Eldritch: Should we?
HUMO: But they sound very much like The Sisters of Mercy, except that they don't have a front man but a front woman.
Eldritch: And she sounds like me?
HUMO: Yes.
Eldritch: Hmm. I hardly ever listen to music anymore, because it reminds me of work. Since trip hop, I don't hear much that interests me anymore either. They only play ringtones on the radio these days, don't they?
HUMO: Have you ever heard a Sisters of Mercy cover that you liked?
Eldritch: Yes, the one from Iron Maiden.
HUMO: I didn't know Iron Maiden covered you.
Eldritch: Put on "Fear of the Dark": you can't possibly get much closer to a cover of "Temple of Love". Oh well, they know well enough themselves.
HUMO: Did they pay for it?
Eldritch: No. That's not unique. One of our songs has already been put on a soundtrack without being paid.
HUMO: What filmß
Eldritch: "The Brass Teapot" (by Ramaa Mosley, 2012, ed.), where some idiot is rapping to the riff of "Giving Ground". Nobody had informed me beforehand, let alone asked my permission or put money on the table. But anyway, the song was used in an sm scene with Juno Temple so I did't bother.
HUMO: It has been fashionable for many years now to undertake tours based on classic records. Did a promoter never offer you a big bag of silver to tour with say, "First and Last and Always"?
Eldritch: Yes. Promoters love those tours, because they are easy to market. But to me that kind of thing feels retro, and I hate retro. I don't think it's healthy for a band to live in the past. Our concerts are never, ever a string of greatest hits. You have to challenge your audience, and try something new from time to time.
At the moment we are exploring the possibilities of chiaroscuro, because we want to get rid of the smoke machines that we have always used. With the latest generation of spotlights, it's much easier than before to create deep shadows: good, because I like to have a hiding place on stage. You might not think it, but I'm quite shy by nature.
HUMO: To be perfectly honest, I was a bit nervous when I typed in your number just now.
Eldritch: Want?
HUMO: You have the reputation of being an extremely tough interviewee.
Eldritch: That's why I thought you said "bummer" just now. You wouldn't be the only one who would rather not deal with we.
HUMO: I must say: you are not so bad.
Eldritch: That's because you are not an idiot.
HUMO: I have always known.
Eldritch: You're welcome. Besides, you work for a magazine that still repects the concept of the "music section". The majority of magazines and newspapers no longer do that. Moreover, most music journalists have no higher ambitions than that you confirm what they have read about you in the press release or on Wikipedia. If you entertain them for an hour about science fiction films from the Soviet Union - and I'm talking about prints from the 50s and 60s here - you can be sure that the only thing that appears in print afterwards are a few copy-pasted lines from our bio.
HUMO: What is it with science fiction films from the Soviet Union?
Eldritch: I am writing a book about it.
HUMO: Go on.
Eldritch: I am a great fan, partly because they are fun, partly because the future looked very different in the eyes of the Soviets than in the eyes of the Americans. The Americans dreamt of bigger cars with more chrome, while the Soviets had visions of humanity as a whole. But hey, Americans. They are amazed when you tell them that here in Europe we have remote-controlled colour televisions.
Anyway, what I wanted to tell you just now. A long time ago, when we were stil with a record company, we fell into the retro trap once. The A&R people from that label - all the people from that label - weren't interested in artistic integrity at all: they just wanted us to re-record our hits, and as far as they were concerned, do it again afterwards. I hated the whole idea, but for the sake of peace I agreed to new versions of "Temple of Love" and "Alice". After that I had enough of it, and I thanked both the record company and our co-manager for their services. Since then, I'm the only manager, and we only do what we like.
HUMO: And that is?
Eldritch: Perform. As much as possible.
HUMO: See you in Antwerp then?
Eldritch: I will be there.