THE place for your Sisters-related comments, questions and snippets of Sisters information. For those who do not know, The Sisters of Mercy are a rock'n'roll band. And a pop band. And an industrial groove machine. Or so they say. They make records. Lots of records, apparently. But not in your galaxy. They play concerts. Lots of concerts, actually. But you still cannot see them. So what's it all about, Alfie? This is one of the few tightly-moderated forums on Heartland, so please keep on-topic. All off-topic posts will either be moved or deleted. Chairman Bux is the editor and the editor's decision is final. Danke.
What we've assembled here for a start is the old website's contents (the first four Trouser Press Record Guides, those highly opinionated review books of '70s and '80s alternative music) plus The Trouser Press Guide to '90s Rock, which has never before been online. While the good news is that the latter's discographies have been updated, the reviews haven't — virtually nothing since 1996 has gotten our critical attention ... yet. But it will.
The Sisters of Mercy, an originally all-male Leeds group named after a Leonard Cohen song and an order of cut-the-crap Catholic nuns, began by playing what they jokingly called heavy metal, which it sort of was; an odd (but prescient) feat, considering that the band's "drummer" was Doktor Avalanche, a rhythm generator. Andrew Eldritch has always been the band's focus: chief lyricist, co-producer of virtually every track (briefly at first with Psychedelic Fur John Ashton, then with Dave Allen of Associates/Cure fame), graphics designer and lead singer, in a deep, aptly gothic voice.
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What’s the difference between a buffalo and a bison?
