It's not that expensive if you record in a home studio and master it yourself. Then again, it probably eats into quality
I love the way discussions travel.
I'm doing all the recording at home as well, using both Reason 2.5 and SONAR3 Pro. I could do the mastering myself through SONAR, getting the hang of the EQ is the biggest learning curve, but made easier if you get a good pair of nearfield monitors with a flat frequency response so you can hear everything. The first lot of demos I did through some ordinary PC speakers left me with too much muddy bass and the vocals far too low. Still, it's all good fun.
Can anyone please update me.Have they played anything remotely new on the tour so far?
Any new covers?
I'm currently deciding whether to venture to Leeds and or Manchester next week but as matters stand,I may as well play my Smoke & Mirrors bootleg to mysely of my iPod.
DoKtor Spiggy wrote:Can anyone please update me.Have they played anything remotely new on the tour so far?
Any new covers?
I'm currently deciding whether to venture to Leeds and or Manchester next week but as matters stand,I may as well play my Smoke & Mirrors bootleg to mysely of my iPod.
The answer is clearly nope.
Still these two new kick-ass axemen are a breath of fresh air. They sound quite different from the Pearson/Sheehan combo.
I'd end this moment to be with you
Through morphic oceans I'd lay here with you
Syberberg wrote:I love the way discussions travel.
I'm doing all the recording at home as well, using both Reason 2.5 and SONAR3 Pro. I could do the mastering myself through SONAR, getting the hang of the EQ is the biggest learning curve, but made easier if you get a good pair of nearfield monitors with a flat frequency response so you can hear everything. The first lot of demos I did through some ordinary PC speakers left me with too much muddy bass and the vocals far too low. Still, it's all good fun.
What set up are you using?
Sorry, didn't notice this for ages
I use Audacity with a couple of homegrown EQ plugins (replacing frequencies and bandwidths with adjectives like "Shininess" for ease of use ) but I'd like to try using Sonar (I've got a copy of LE lying around but only really use it for MIDI). My monitors are nothing great, just my dad's old hifi setup (not a true representation, I know, but they do a better job than the old PC speakers I was using).
DoKtor Spiggy wrote:Can anyone please update me.Have they played anything remotely new on the tour so far?
Any new covers?
I'm currently deciding whether to venture to Leeds and or Manchester next week but as matters stand,I may as well play my Smoke & Mirrors bootleg to mysely of my iPod.
The answer is clearly nope.
Still these two new kick-ass axemen are a breath of fresh air. They sound quite different from the Pearson/Sheehan combo.
IMO these young ones rock more. I like this sound and I advice to go at least one of the two gigs DoKtor Spiggy.
RoboBreezer and Pin Up Boy do indeed blow Pearson and Starling clean outta the water!
"And when you start to think about death, you start to think about what's after it. And then you start hoping there is a God. For me, it's a frightening thought to go nowhere".
~ Peter Steele
mugabe wrote:Unfortunately, they also seem to blow Eldritch clean outta the P.A.
Nah!
"And when you start to think about death, you start to think about what's after it. And then you start hoping there is a God. For me, it's a frightening thought to go nowhere".
~ Peter Steele
For this 25 years anniversary tour I would have loved the following setlist even if I enjoyed the show more than A LOT !!!!!
Alice
Crash and Burn
Temple Of Love
Body Electric
On the Wire / Teachers
Emma
Giving Ground
Dominion / Mother Russia
This Corrosion
Burn
Floorshow
We Are The Same Suzanne
Summer
First And Last And Always
Amphetamine Logic
Flood 1
Ribbons
Flood 2
Lucretia
Marian
Vision Thing
Syberberg wrote:
I love the way discussions travel.
I'm doing all the recording at home as well, using both Reason 2.5 and SONAR3 Pro. I could do the mastering myself through SONAR, getting the hang of the EQ is the biggest learning curve, but made easier if you get a good pair of nearfield monitors with a flat frequency response so you can hear everything. The first lot of demos I did through some ordinary PC speakers left me with too much muddy bass and the vocals far too low. Still, it's all good fun.
What set up are you using?
I use Nuendo 3.2, M-Audio Studiophile SP-5B monitors, EMU 1820M soundcard. I had a lot of stuff a year ago, but then we had a burglary in our studio...so I have to go with the budget studio...
And ... I offered Ben Christo my help as a producer if he ever wants to record anything. That includes the Sisters of course.
Ozpat wrote:You forgot Adrenochrome and Valentine Laurent; you know you did... :wink :
Yeah I wanted to put Adrenochrome but as they haven't played it since a long time, I thought it was unrealistic to get it
Adrenochrome is one of my all time faves
It seemed to me like only the american shows got the priviledge of FALAA and Burn I wonder if the setlists for the UK will be any different to the rest of Europe?
oh wonderful setlist btw D.A., maybe you could try and have a word with von for us
) but I'd like to try using Sonar (I've got a copy of LE lying around but only really use it for MIDI). My monitors are nothing great, just my dad's old hifi setup (not a true representation, I know, but they do a better job than the old PC speakers I was using).
I wonder if the setlists for the UK will be any different to the rest of Europe?
gotta love that bassline 