The Sisters of Mercy Forum
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Delete it, then download again but untick the box that says something like "download with download manager".Being645 wrote:Anyway, it's in quarantine now awaiting deletion ...
Ah yes! That worked ...Dan wrote:Did this come as a result of me commenting in the other thread that we'd not even heard a sample, or did you pursue it youself, Circle?
Thanks to the mysterious benefactor.
Delete it, then download again but untick the box that says something like "download with download manager".Being645 wrote:Anyway, it's in quarantine now awaiting deletion ...
Several of filehosts started doing this recently, as well as offering another fake download button as well as the real one.
I'm not sure what's in the fake downloads they try and get you to download as I've not been tricked into downloading one yet.
... thanks for the hint ... .... ... hihi, that sounds entertaining ... ... and the music is not soo far from The Sisterhood, either ... ...
True. And reminding slightly of Comfortably Numb/Some Kind Of Stranger.Dan wrote:I googled it. It's a sample from "One flew over the cuckoo's nest".
I think it's the issue not the sample that's been edgy ... and it still is.circle wrote:This sample may have been edgy at the time, but now, a decade and a half later, seems to be quite used.
http://www.youtube.com/watch?v=MBjrDhaguZM
http://www.youtube.com/watch?feature=pl ... wcCw#at=18
http://www.youtube.com/watch?v=pxjkuRbkNw8
http://www.youtube.com/watch?v=tv6LcdAquoM
So it was not because of copyrights with the sample that it was not released
Bartek wrote:in the other words you said that it sounds like shyte (at least to me).
... bearskin wrote: And as one of these: "one or two other forum members claimed to have it too" I'd like to say that I had (or at least I recall having a white label 12" with the words handwritten on it) 'Leeds Underground', not Paris Riots - and that was quite different from this snippet.
Can of worms well and truly opened. Do you still have it, or at least a recording of it? Or at the very least a description of what it was like?bearskin wrote:I didn't like it much at all.
And as one of these: "one or two other forum members claimed to have it too" I'd like to say that I had (or at least I recall having a white label 12" with the words handwritten on it) 'Leeds Underground', not Paris Riots - and that was quite different from this snippet.
Hi there. I think we've been here before... when I moved from Bristol to NZ, I culled almost all of my 12" records, and I did have a good look through what's left here in NZ - the other day, and it's not there.Being645 wrote:bearskin wrote: And as one of these: "one or two other forum members claimed to have it too" I'd like to say that I had (or at least I recall having a white label 12" with the words handwritten on it) 'Leeds Underground', not Paris Riots - and that was quite different from this snippet.
You should search your complete belongings for it !!! ... and upload at least a picture ... pleeeeease ...
Hey there. See other answer above for how/where/why. I had hundreds of obscure white label techno-y tunes in the 90s. When I moved to NZ, I biffed most of them. I do still have a few that I couldn't bear to part with. I do recall me and my mates playing 'Leeds Underground' and commenting on it being very good, and wondering who it was by etc.. but at the time most artists had multiple secret identities, so it wasn't unusual. We thought it could have been someone like Aphex Twin, or more likely a german/dutch/belgian tune. I think I lent it and it was played 'out', but it came back.Dan wrote:Can of worms well and truly opened. Do you still have it, or at least a recording of it? Or at the very least a description of what it was like?bearskin wrote:I didn't like it much at all.
And as one of these: "one or two other forum members claimed to have it too" I'd like to say that I had (or at least I recall having a white label 12" with the words handwritten on it) 'Leeds Underground', not Paris Riots - and that was quite different from this snippet.
, and I reckon 'LU' was along these lines - maybe not quite as hard. Sorry, time had dulled the memories to this.
and look what is behind that sounds very very familiar...Oh my godWhen I moved to NZ, I biffed most of them. I do still have a few that I couldn't bear to part with. I do recall me and my mates playing 'Leeds Underground' and commenting on it being very good, and wondering who it was by etc.. but at the time most artists had multiple secret identities, so it wasn't unusual. We thought it could have been someone like Aphex Twin, or more likely a german/dutch/belgian tune.
On Cleopatra though?iesus wrote:I had a moment of
I used the Shazam app on the sample
http://www.discogs.com/Voice-Of-Destruc ... se/1308189
"For Fun And Profit"
The song is called "Basket Case"
So is the "Voice of Destruction" the Paris Riots?
In my googling I found a mention of that song : because it uses the same sample from One Flew Over The Cuckoo's Nest. Presumably thats why Shazam identified it. I had the same idea and ran it through Midomi but it found nothing.iesus wrote:I had a moment of
I used the Shazam app on the sample
http://www.discogs.com/Voice-Of-Destruc ... se/1308189
"For Fun And Profit"
The song is called "Basket Case"
So is the "Voice of Destruction" the Paris Riots?
Ah ok. Thanks.bearskin wrote:Hey there. See other answer above for how/where/why. I had hundreds of obscure white label techno-y tunes in the 90s. When I moved to NZ, I biffed most of them. I do still have a few that I couldn't bear to part with. I do recall me and my mates playing 'Leeds Underground' and commenting on it being very good, and wondering who it was by etc.. but at the time most artists had multiple secret identities, so it wasn't unusual. We thought it could have been someone like Aphex Twin, or more likely a german/dutch/belgian tune. I think I lent it and it was played 'out', but it came back.Dan wrote:Can of worms well and truly opened. Do you still have it, or at least a recording of it? Or at the very least a description of what it was like?bearskin wrote:I didn't like it much at all.
And as one of these: "one or two other forum members claimed to have it too" I'd like to say that I had (or at least I recall having a white label 12" with the words handwritten on it) 'Leeds Underground', not Paris Riots - and that was quite different from this snippet.
Right now I guess it would be lost in Bristol somewhere. The guy who bought my collection gave me hundreds of quid for the lot, bar the small box I had quarantined - sad to say, my TSOM records included..
If you listen to this link - this is a little something from 1995
http://www.youtube.com/watch?v=YshGxV0-bQw
You've probably hit the nail on the head there. If they were any good they'd have been given a wider release.Bartek wrote:anyone thought why we didn't heard that songs? i mean quality, artistic value?
