nick the stripper wrote: Andrew Eldritch seems to have no idea about what he is talking about when it comes to postmodernism.
Oh, I don't know. His critique is a very
conservative critique. You may not agree with his read of postmodern thought, but he does seem to have some idea what he's saying.
nick the stripper wrote:
I can, off the top of my head, list several "postmodernists" who cared deeply about politics, to the extent of actually taking action. In philosophy, to name two names, there is Foucault and Deleuze. Both were classed postmodern (against their will, which seems to be the case with all postmodernists, as it is with certain people and the Goth label

), and both were ardent activists within Palestine liberation, gay rights and prison reform. In addition, Foucault seems to share Eldritch's respect for Anarcho-Syndicalism.
I don't know much of anything about Deleuze, but Foucault is a radical historical determinist (see his "stunning and barbaric" --his description, not mine--historical
a priori). Foucault may "care deeply about politics," but he recognizes that such "caring" as you call it is a product of the historical
a priori or power/knowledge structure or
episteme (depending on which period Foucault you're talking about). He's a Hegelian historicist who denies that there is reason-in-history. History is a blind idiot god (thanks HP) determining all that we do and think, inescapably. Politics is baseless, and so, Foucault's own thought would suggest, are any and all political commitments. This is why Noam Chomsky, at Davos, called him "the most amoral man I've ever met." Human beings can't escape the power/knowledge structure or historical
a priori or
episteme, and even the illusion that they can is a result of that. That sort of historicism is what Von is rejecting; he's a modern insofar as he wants human rights to be based on something other than mere conventions.
nick the stripper wrote:
Now postmodernism seems to me to be a pejorative categorization for (A) modernists who are far too critical of the Enlightenment for the likes of Sokal and Dawkins, (B) modernists who treat fragmentation and discontinuity positively rather than negatively, and (C) modernists who don't see fragmentation and discontinuity as something which can be transcended. An example is William S. Burroughs: in his notion of the habit and the fix is presented the impossibility of transcending irrational, economically imbued desires, and in his cut-up technique is found the affirmation of fragmentation and discontinuity. Of course, all three do not have to be internalized by an artist to be classified postmodern (you only need to pass A and be slightly sceptical to be classified postmodern by Sokal); after all, this makes it a lot easier to pigeonhole people.
I don't think you're being fair to Sokal; I don't think Dawkins has any place in a discussion of philosophy (sorry Mark

). I don't think I have any comments on B) or C).
I also wonder if this discussion isn't conflating philosophical modernity with artistic modernism. When Von says TSOM are modern, I take it to be a rejection of the historicism and relativism of postmodernity in favor of the possibility of a modern (
not contemporary) liberal politics, i.e., a liberal politics that predates the Progressive view of history. But I'm not sure, since he's never been clear about how he reads Hegel.