Izzy HaveMercy wrote:Being645 wrote:James Blast wrote:Thankee!
that's the word I was searching for made flesh in
The Ersatz Of Mercy
that's what we have now
Not within all the gigs I have seen since 2009, far from that ...
Gigs-only work for a reunion band, not for a band that pretends to be active still.
Personally, my Sisters days are over, the gigs I attended were from awful up to good, but with no product in the pipeline, I did the Prescott-James manoeuvre some years ago, selling a lot of Sisters boots in the process.
There are other bands available, far more interesting as well, AFAIC. Life is too short to sit and wait for one old band to come up with new tricks...
IZ.
Here's the crux of it for me. I believe the songs played live since Vision Thing, such as Crash and Burn, Summer, etc. deserve a "set in vinyl" so to speak release. When people think of Elvis, whom our man likes to ironically reference for instance, they think of the songs he RECORDED. Not a handful of bootlegs of shows where Elvis performed a bunch of songs that range from decent to awesome that he never bothered to record and release.
No matter how minimal the production of the Elvis Sun Recordings, for example, they will be the way those songs are UNIVERSALLY REMEMBERED and the way they are universally identified. You can't leave your songs as part of a legacy if the fans are left to debate whether "Hamburg 1999 Romeo Down sounds better than Berlin 2001 or not and other such drivel. And it really is the drivel that goes along with the act of clutching at straws.
So the legacy of the band deserves it, the songs the deserve it, the fans deserve it and AE himself owes it to himself.
One would think that maybe this is a given? So then what's the point of NOT releasing these songs in a DEFINITIVE form?
I can't rightly tell someone to listen to Crash and Burn if I myself am not certain which bootleg version of some live performance of the song is the best example. I can't even refer them to an actual gig as the VOCAL performance is hit and miss. Mainly volume issues.
I can't count the number of times people have listened to what I thought was an excellent live recording and they still said the vocals were inaudible and therefore couldn't understand the lyrics I kept telling them were so amazing.
It's counter productive. It makes me wonder if his whole goal is really to push all the fans away, to push everyone away?
So, did you ever answer your own question, Andrew?
Do you drive? Or are you driven?
"... because we're that kind of people."