DeWinter wrote:stufarq wrote:copper wrote:
Guess that answers a few questions.
Not really. It's just the same carefully rehearsed excuses designed to make them sound more important than they really are.
I seem to remember reading on The Sisters website Eldo being astonished that the band were no longer considered major label worthy anymore. Im at a bit of a loss as to why he imagines they would be, none of their contemporaries have managed that, even bands with more commercial success like Dead or Alive.
I've got to admit, I never thought of Dead or Alive as a contemporary except chronologically (which is, I guess, what the word actually
means). I always thought that the TSOM were head-and-shoulders above most of their contemporaries in various important ways (lyrics, musical style, creativity, etc). Who, from that era, is still really doing it well? Off the top of my head (and reasonable people may disagree) I think of Nick Cave (the Grinderman records make up for what I view as lackluster Bad Seeds records since they peaked, IMO, with
The Boatman's Call), JG "Elvis" Thirwell (who just gets better by the day), and, well... that's about it, really. I think Von could have been in the same league as them, both creatively and commercially, if he'd wanted to do so. I do think he had (has?) the talent. I just don't think he can be bothered. Which is fine; one cannot do all things that one might do, and the satisfaction of one potentiality necessarily involves the closing off of various others. The satisfactions of private life are greater than those found in the hedonistic rock and roll lifestyle, I'd imagine--especially as you age. That's certainly been my experience. And let's face it: unless your Lemmy or Keith Richards, it becomes rather pathetic after a certain age. I get the impression Von is too smart for that--so the weekend job approach to the band makes sense.
As for not being major-label-worthy, well: how much did they cost the label(s) and how much did they bring in? Given how long it took them to make product, and how much the recording of said product costs, I rather suspect there was not a sufficiently high return-on-investment for a major label (back then) to really be interested. Today? I don't know that a major label is necessary anymore, unless you're Lady Gaga (which Von is not).